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Oval
O

elektronika
Thrill Jockey, 2010

Czas trwania: 51:34; 61:28

Średnia ocena klientów: -    oceń

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CD : 69,90 zł
dostępność:
do miesiąca
Nr kat.: THRILL244
format : CD
liczba nośników : 2
Opakowanie : kartonowy ecopack
winyl : 91,90 zł
dostępność:
tydzień
Nr kat.: THRILL244LP
EAN: 790377024418
download code : tak
format : 2x12"LP
kolor : biały
liczba nośników : 2
 


nr tytuł play mp3
  Disc 1
1 Panorama
2 Ah!
3 Shhh
4 Glossy
5 Stop Motion
6 Sky
7 Beige
8 Brahms Mania
9 Cinematic
10 Cry
11 Cottage
12 I Heart Musik
13 Salamanca
14 Dolo
15 Dricas
16 Cyprus
17 Vessel
18 Dynamo
19 Finis
20 Emocor
Disc 2
21 Citybike
22 Oslo
23 IJ
24 Rivo
25 Pomp
26 Blinky
27 Parallax
28 Koral
29 Kolor
30 Auto Matic
31 Dream Over
32 Pastell
33 Magnify
34 Drift
35 Allover
36 Derby
37 Flax
38 Bergen Best
39 Matinèe
40 Kukicha
41 6 AM
42 Flamingo
43 Rivo II
44 Goodbye
45 Fontan
46 Co-Echo
47 Stop Motion II
48 Vitesse
49 September
50 Voilà
51 Vegas top
52 Expo
53 Lonely
54 Java
55 Klack
56 Project Evergreen
57 Rainyday
58 Big City Nights
59 Rosammie
60 Gallo
61 May Tea
62 Chronograph
63 Jank
64 Breezy
65 Press
66 Form Faktor
67 Terminal
68 Karo
69 Swiss Summer
70 Happyend


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https://youtu.be/Q0MWfJE3ejI

“O”, Oval’s striking new 70-track double-CD (and double-LP) is the follow up to the "Oh" EP by electronic pioneer, Markus Popp.

2xCD version comes packaged in a mini-LP style gatefold jacket available in three different colors and features 20 tracks on Disc 1 and 50 tracks on Disc 2

2xLP version comes in a gatefold jacket available in four different colors and features the 20 tracks from CD1 spread out over Sides A-C. Side D features 6 vinyl-only tracks. Also included is a download coupon for all vinyl tracks + the 50 tracks from CD2 for 76 tracks total!

Popp, who lives and works in Berlin, took some time between his last release under the moniker SO and the "Oh" EP because he wanted the new material to be a radical departure from his old concepts and methods on all levels, to essentially be a second "debut" album. For "O" Popp's creative process shares nothing with his creative process for prior Oval albums. Previously, Popp focused on the creation of the programs that would process sound and effectively create the music. As a musician, Popp's process was more theoretical in nature. Creating the platform and knowing what that platform could and should do to the sound sources. He selected the sound sources and then turned it over to the platform. For ”O”, Popp uses an instrument that is very common, a stock PC outfitted with stock sounds and plugins. He no longer uses or creates a custom platform, but instead utilizes a readily available instrument. What he has done with this instrument highlights Popp's, perhaps for the first time, musicianship. Popp spent years woodshedding with his instrument and worked diligently to push the instrument beyond its normal sonic boundaries.

What is striking to note is that while the sound sources, and the process versus musician aspect of the music could not be more different, the resulting music shares qualities with the music that came befo
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