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CD : 169,90 zł
dostępność:
2 tygodnie
Nr kat.: MW 938-2
format : CD
liczba nośników : 4


nr tytuł długość cena play mp3
  CD1: 76’16
1 AF Agustí Fernández solo 6:08
2 AFPE Agustí Fernández / Peter Evans Duo 11:24
3 BD I Ben Dwyer solo 7:50
4 JGBGRL Julius Gabriel / Barry Guy / Ramón López trio 14:11
5 PETS Peter Evans / Torben Snekkestad duo 16:12
6 SYBG Savina Yannatou / Barry Guy duo 20:18
CD2: 70’10
1 PTJMN Per Texas Johansson / Michael Niesemann duo 14:06
2 MGFPLN I Michel Godard / Fanny Paccoud / Lucas Niggli trio 5:05
3 MGFPLN II Michel Godard / Fanny Paccoud / Lucas Niggli trio 10:38
4 Rondo for Nine Birds Maya Homburger / Barry Guy / Lucas Niggli trio 19:36
5 SYFPPTJ Savina Yannatou / Fanny Paccoud duo 12:12
6 TSBG Torben Snekkestad / Barry Guy duo 8:19
CD3: 73’00
1 BD II Ben Dwyer solo 9:37
2 PEAFRLLN Peter Evans / Agustí Fernández / Ramón López / Lucas Niggli quartet 17:57
3 MGSY Michel Godard / Savina Yannatou duo 5:16
4 TSMNPTJJG Torben Snekkestad / Michael Niesemann / Per Texas Johansson / Julius Gabriel quartet 7:38
5 TSMNPTJJGMG Torben Snekkestad / Michael Niesemann / Per Texas Johansson / Julius Gabriel quartet with Michel Godard 7:27
6 BGMN I Barry Guy / Michael Niesemann duo 8:03
7 BGMN II Barry Guy / Michael Niesemann duo 3:42
8 BD III Ben Dwyer solo 6:00
9 BDPE Ben Dwyer / Peter Evans duo 7:00
CD4: 68’44
1 TSAF Torben Snekkestad / Agustí Fernández duo 7:44
2 Bach Adagio from the sonata for violin solo in g minor BWV1001 Maya Homburger solo 3:18
3 MGBGFPPTJJGTSLN Michel Godard / Barry Guy duo 18:49
4 LNRL Lucas Niggli / Ramón López duo 10:18
5 AFBGRLSYPE Agustí Fernández / Barry Guy / Ramón López trio with Savina Yannatou & Peter Evans 28:22
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Line-up:
Savina Yannatou – voice
Michel Godard – tuba and serpent
Ben Dwyer – guitar
Agusti Fernandez – piano
Torben Snekkestad – soprano & tenor saxes
Michael Niesemann – alto sax & oboe
Per Texas Johansson – tenor sax & clarinet
Peter Evans – trumpet
Julius Gabriel – baritone & soprano saxes
Maya Homburger – violin
Fanny Paccoud – viola
Lucas Niggli – percussion
Ramon Lopez – percussion
Barry Guy – bass

Recorded:
November 18 & 19 & 20, 2014at the Alchemia Club, Krakow

The legendary Alchemia Club in Krakow (Poland) has played and continues to play
host to musicians worldwide to present their musical ideas.

In recent years I have had the pleasure to prepare large ensemble projects there during
the daylight hours, whilst the evening has given way to small formations from within the big band that, in a way, expose the heart and soul of the group, an ontological musical debate that informed the total experience of our work together.

KINESIS or ONTOLOGY (depending on which title we will choose ) represents the summation of three evening performances, where regular but most often new alliances came together for creative evocations in an uncharted musical landscape. To my ears these experiences in turn informed the Première performance of “The Blue Shroud” at the end of our residency where a unified sense of purpose provided the listener with an especially emotional focus.

My thanks go to Marek Winiarski for making the project happen and to Maya Homburger for managing the band as well as playing in the ensemble.

To the musicians involved, I send my thanks for their commitment, but above all for their amazing creativity, endlessly demonstrated night after night.

Barry Guy

What the critics say:

Small Group Formations

During the days leading up to the final concert of his 2014 residency in Krakow, Guy rehearsed his hand-picked band through the score for his ambitious new work “The Blue Shroud”. But in the evenings they broke into smaller subdivisions to improvise freely. That plan not only provided a way to promote familiarity and let off steam after a long day's intense rehearsal, but also sowed the seed for some of the improvisatory passages in the longer work. Each night there were three sets, each comprising up to three separate groupings. While everyone had links t
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