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TALISMAN
Don't Play with Fyah

reggae/dub
Sugar Shack, 2017

Czas trwania: 66:27

Średnia ocena klientów: -    oceń

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CD : 66,90 zł
na stanie
Nr kat.: FOD114CD
EAN: 5052571069523
format : CD
liczba nośników : 1
Opakowanie : plastik


nr tytuł długość cena play mp3
1 Relijan 5:49
2 Talkin' Revolution 5:12
3 She look like Reggae 3:53
4 Don't play with Fyah 4:03
5 Hear no Evil 3:57
6 Racisim never sleep 4:29
7 Wheel and come again 5:22
8 Relijan Dub 5:54
9 Revolutionary Dub 5:36
10 She look like Dub 4:05
11 Don't play with Dub 4:06
12 Hear no Dub 4:00
13 Racism Never Dub 4:36
14 Wheel and Dub Again 5:27
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Talisman's new album “Don’t Play with Fyah” is a revelation. Most bands with a history that stretches back four decades are content to go through the motions, their creative peak somewhere in the past, not Talisman. Their new album includes some of the strongest material they've ever recorded, with seven brand new songs and the corresponding dub counter parts; this is their finest album to date.

With such strong material we knew we had to pull out all the stops when it came to the final mixes and who better than legendary musician, producer, engineer and all round British reggae genius Dennis Bovell (Matumbi, Steel Pulse, Linton Kwesi Johnson, Aswad, Madness, Orange Juice, The Slits, The Pop Group, Arcade Fire, Joss Stone) who has taken the songs to the next level and given us the strongest British reggae album in years.

The album kicks off with “Relijan”, a roots anthem with lyrics that resonate with contemporary relevance whilst the music has the timeless feel of the best seventies roots. This track raises the game for Talisman and puts them on par with such British greats as Aswad, Steel Pulse and Misty in Roots at their best; without doubt destined to be seen as a classic of the genre.

The pace and the lyrical intent doesn't let up as we start “Talkin' Revolution” which for long time fans of the band is a real treat; a brand new song yet imbued with the feel and vibes of early eighties Talisman. It would not have felt out of place in their sets during those years and yet, this bridge between the past and present manages to surpass what went before, a real achievement and another certain future favourite for fans.

“She Look like Reggae” is a charming piece of observational song writing that rewards repeated listening with hidden depths and also provides a good opportunity to mention the very welcome use of a full horn section on some of these trac
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