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Chris Carter
Chemistry Lessons Vol One

elektronika
Mute, 2018

Średnia ocena klientów: -    oceń

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winyl : 99,90 zł
dostępność:
Tydzień
Nr kat.: STUMM415
EAN: 5414940006360
format : 2x12"LP
liczba nośników : 2
CD : 50,90 zł
dostępność:
tydzień
Nr kat.: CDSTUMM415
EAN: 5414940006377
format : CD
liczba nośników : 1
Opakowanie : digipack
 


nr tytuł play mp3
1 Blissters
2 Tangerines
3 Nineteen 7
4 Cernubicua
5 Pillars of Wah
6 Modularity
7 Field Depth
8 Moon Two
9 Durlin
10 Corvus
11 Tones Map
12 Dust & Spiders
13 Gradients
14 Lab Test
15 Shildreke
16 Uysring
17 Ghosting
18 Noise Floor
19 Post Industrial
20 Rehndim
21 Roane
22 Time Curious Glows
23 Ars Vetus
24 Hobbs End
25 Inkstain


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https://youtu.be/o93kEo1jBbo
https://youtu.be/HC46nk5noC0
https://youtu.be/tflile4Wh7o



Seventeen years on from his last solo release, the twenty-five tracks collected on Chris Carter’s Chemistry Lessons Volume One (CCCL Volume 1) were the product of six years spent working on solo material in the Norfolk home studio he shares with Cosey Fanni Tutti. CCCL Volume 1 reinforces Carter’s significant but often under-appreciated role in the development of electronic music - a journey that for Carter started ahead of his work with Throbbing Gristle (alongside Cosey, Peter ‘Sleazy’ Christopherson and Genesis Breyer P-Orridge), and continued through Chris & Cosey, Carter Tutti, Carter Tutti Void as well as his own solo and collaborative releases under his own name.

Here you will find music with a distinctly futuristic leaning, with insistent melodic patterns and a distinct sense of wonderment at the limitless possibilities of science. “If there’s an influence on the album, it’s definitely ‘60s radiophonic,” Carter agrees. “Over the last few years I’ve also been listening to old English folk music, almost like a guilty pleasure, and so some of tracks on the album hark back to an almost ingrained DNA we have for those kinds of melodies. They’re not dissimilar to nursery rhymes in some ways.”

That combination of traditional music and the backing track for exciting, potential futures gives tracks like ‘Moon Two’ and ‘Tangerines’ a sheen of inquisitiveness and quiet euphoria, while ‘Modularity’ and ‘Roane’ have an anxious, sci-fi noir charm. Elsewhere, the skewed voices of the meditative ‘Cernubicua’ add a calming, human note to the album, even if deciphering any specific lyrical content is largely impossible. “That's completely intentional,” says Carter. “Sleazy and I had worked together on ways of developing a sort of artificial singing using software and hardware.
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