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Marquis Hill
Jeff Parker
Joachim Florent, Denis Fournier
ESCAPE LANE

jazz/yass/impro
The Bridge Sessions, 2017

Czas trwania: 58:33

Średnia ocena klientów: -    oceń

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CD : 69,90 zł
na stanie
Nr kat.: TBS05
format : CD
liczba nośników : 1
Opakowanie : kartonowy ecopack


nr tytuł play mp3
1 Lane Open 6:03
2 Le sel de la situation 5:02
3 Lever de soleil au loin sur la lac agité où s'es 21:17
4 4800 S. Lake Park (l'encrier) 5:30
5 Franchissements 4:54
6 Rough Grooved Surface 5:52
7 Une petite fille danse assise 9:39


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muzycy:
Marquis Hill: trumpet
Jeff Parker: electric guitar
Joachim Florent: double bass
Denis Fournier: drums, percussion

Editor's info:
This quartet – Escape Lane – proved that it did not literally play o­­n solid ground. Didn’t the explorers of yore understand waterways as entry points into what was to them the unknown? These four explorers will need no compass. To find their way, they need only to follow the flow of the rivers that makes the essence of their music. “These are like regions, foresees Denis Fournier, harmonic and rhythmic landscapes, and energies, that lie in our memory and can be summoned at any time; all of a sudden, they call a for a melody, a counterpoint, or a polyrhythm.” These landscapes are found in the coal of the memory, and the diamond of imaginary worlds. For improvised music is a matter of unfathomable singularities. Being nourished with so many experiences, collective improvisation is not “emancipation”, but ever-deeper insight. “Under the appearance of spontaneity, this music springs for a long process of maturation, where there is no hesitation to interrupt or relay one another – as in life – in order to tilt and shift foregrounds and perspectives.”

The idea for this formation originally came from the drummer. Not long ago, when he formed the Watershed quintet with Bernard Santacruz and the Americans Hanah Jon Taylor, Nicole Mitchell et Tomeka Reid, Fournier first considered inviting Jeff Parker, who was not available. For Jeff Parker sometimes seems to hammer away at his instrument, equipped with a grammar of undulations and oscillations whose natural flow he thwarts with an extremely rich vocabulary of noise. It’s as if he uses his guitar as a magnifying glass that lets us see and hear all the germs and gems of an efflorescing sonic matter… Once the agreement between the two was sealed, they decided to include two newcomers on their respective scenes, to include in their musical negotiations Marquis Hill’s brewing and Joachim Florent’s branc
.......
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