muzycy:
David Christian Pajo - guitar
Michael McMahan - guitar
Dahm - vocals
Todd Cook - bass
Tony Bailey - drums
Editor's info:
Upon first glance at its gruesome exterior, Dead Child appears to be a new creation. However, its jagged roots extend deep into the past, with a history that holds almost a century of collective experience.
It all began when, as youngsters growing up in Louisville, KY during the 70s and 80s, the evil riffs of the heaviest bands were like voices beckoning them to a darker side. Thus began a long, downward journey into the abyss.
As the members aged, the effects of their constant search for fresh sounds took its toll, both mentally and physically. Some sought counseling. Others turned even further inward and found their maladjustment manifesting in physical ways.
Hopelessly searching to cure bad parts and old limbs, Dead Child made many misguided visits to the Louisville Prosthetics Suppliers.
Met with either anger or apathy, their attempts always ended with another door slammed in their faces.
Being turned away left them feeling hopeless and hollow. The world grew darker. They gradually became more and more disoriented until their surroundings blurred, spinning out of control. Days and nights became a single endless moment. Unbearable pain was the only thread that connected light and dark. Each member, independent of the others, went back to his metal roots in an effort to feel grounded in a doomed world.
Dead Child have birthed a truly supreme metal masterwork. "Attack," grew out of pure frustration - the band was sick of the vulnerable, pompous music of recent years, instead jonesing for the pure and simple chops-oriented music of their formative days. It's all serious. No cookie monster vox, and full of thundering drums and anthemic riffs.
It's epic and it's real.
Neither withered appendages nor mangled muscle could restrain their venomous assault. Embarking on that blackened path many years ago has led to this: Dead Child has created a five-headed Frankenstein that now walks among the l....... more
Supergrupa z Louisville, w której skład wchodzą muzycy tak znakomitych zespołów jak SLINT, FOR CARNATION, CRAIN. Jednak zapomnijcie o minimal rocku, post rocku, folkowych balladach i tzw “muzyce alternatywnej”. Dead Child to metal, inspirowany głównie latami 80 – tymi, takimi grupami jak Iron Maiden, Judas Priest oraz starym hard rockiem. Rzecz jasna produkcja, za którą odpowiada Brad Wood, znacznie różni się od standardów nagrań dinozaurów metalu. Całość brzmi na tyle intrygująco i dobrze wpisuje się w obecne trendy na progresywnej metalowej scenie, że album należy traktować poważnie a nie jako kuriozum czy ciekawostkę. Jak podkreśla David Pajo, od dziecka był fanem metalu i w zasadzie słuchał go cały czas, więc nagranie tego materiału było dla niego logicznym krokiem.
Editor's info:
Upon first glance at its gruesome exterior, Dead Child appears to be a new creation. However, its jagged roots extend deep into the past, with a history that holds almost a century of collective experience.
It all began when, as youngsters growing up in Louisville, KY during the 70s and 80s, the evil riffs of the heaviest bands were like voices beckoning them to a darker side. Thus began a long, downward journey into the abyss.
As the members aged, the effects of their constant search for fresh sounds took its toll, both mentally and physically. Some sought counseling. Others turned even further inward and found their maladjustment manifesting in physical ways.
Hopelessly searching to cure bad parts and old limbs, Dead Child made many misguided visits to the Louisville Prosthetics Suppliers.
Met with either anger or apathy, their attempts always ended with another door slammed in their faces.
Being turned away left them feeling hopeless and hollow. The world grew darker. They gradually became more and more disoriented until their surroundings blurred, spinning out of control. Days and nights became a sin....... more