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LHZ + H (Lehn, Hubsch, Zoubek, Hautzinger)
Scope

avantgarde/ jazz/impro
Monotype Records, 2011

total time: 45:31

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Thomas Lehn | analogue synthesizer
Carl Ludwig Hübsch | tuba
Philip Zoubek | piano
+ Franz Hautzinger | quartertone trumpet

Hübsch, Lehn, Zoubek & Hautzinger's approach to music is driven by amalgamation of mechanically and electronically generated sounds.
Sounds, allocated to electronic music, are generated by mechanic means and vice versa. But more characteristic for the music of this ensemble is the vividly structured architecture of multilayers and sonic landscapes. Chamber composition created in the peak of the
moment.

Thomas Lehn
Born in Fröndenberg (Germany) in 1958. Since the early 1980s Thomas Lehn has been working as a author and performer of contemporary music. After studying recording engineering - piano with Prof. Wilfried Kassebaum - at the Music Academy of Detmold in Germany, studies at the Music Academy of Cologne with Peter Degenhardt and Prof. Klaus Oldemeyer (classical piano) and with Frank Wunsch and Francis Coppieters (jazz piano) completed his academical education. In the 80ies he took part on courses of Studio for pianistic interpretation held by Prof. Jürgen Uhde.
As an interpreting pianist he has been playing concerts since 1982 - performing both contemporary new music including numerous first performances and traditional composed music of the classical and romantical period. In 1989 he initiated the chamber ensemble Trio Dario and four years later the Mengano
Quartett, performing compositions of the contemporary avant-garde, in particular numerous first performances of comissioned works.
Developed parallel to his work as a pianist, since the early 1990s his major and widely known work has been performing and producing live-electronic music. Rooted in the experience of a wide spectrum of musical fields based on his background as an interpreting and improvising pianist in classical-,
contemporary and jazz-music and being involved in numerous other projects like music theatre, dance, multi-media, studio pre-/post-
.......
more

Hübsch, Lehn, Zoubek & Hautzinger's approach to music is driven by amalgamation of mechanically and electronically generated sounds.
Sounds, allocated to electronic music, are generated by mechanic means and vice versa. But more characteristic for the music of this ensemble is the vividly structured architecture of multilayers and sonic landscapes. Chamber composition created in the peak of the
moment.

Thomas Lehn
Born in Fröndenberg (Germany) in 1958. Since the early 1980s Thomas Lehn has been working as a author and performer of contemporary music. After studying recording engineering - piano with Prof. Wilfried Kassebaum - at the Music Academy of Detmold in Germany, studies at the Music Academy of Cologne with Peter Degenhardt and Prof. Klaus Oldemeyer (classical piano) and with Frank Wunsch and Francis Coppieters (jazz piano) completed his academical education. In the 80ies he took part on courses of Studio for pianistic interpretation held by Prof. Jürgen Uhde.
As an interpreting pianist he has been playing concerts since 1982 - performing both contemporary new music including numerous first performances and traditional composed music of the classical and romantical period. In 1989 he initiated the chamber ensemble Trio Dario and four years later the Mengano
Quartett, performing compositions of the contemporary avant-garde, in particular numerous first performances of comissioned works.
Developed parallel to his work as a pianist, since the early 1990s his major and widely known work has been performing and producing live-electronic music. Rooted in the experience of a wide spectrum of musical fields based on his background as an interpreting and improvising pianist in classical-,
contemporary and jazz-music and being involved in numerous other projects like music theatre, dance, multi-media, studio pre-/post-
.......
more


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