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Francois Carrier
John Edwards
Michel Lambert
Steve Beresford
Overground to The Vortex

jazz/impro
Not Two, 2013

total time: 62:44

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Not Two


CD:8,11€
in stock
cat. no: MW 904-2
EAN: 5901549185669
format : CD
number of discs : 1
packaging : ecopack
FLAC file:7,18€
+ booklet : booklet scanned in jpg
 
mp3 file:5,98€
bitrate : 320 kb/s


no. title play mp3
1 Mile End 10:56
2 Bow Road 12:17
3 Archway 25:45
4 Barking Side 13:38


  let me know when samples will be available
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François Carrier - alto sax
Michel Lambert - drums
John Edwards - double bass
Steve Beresford - piano

Liner notes by London journalist John Eyles:

In July 2011, François Carrier arrived in London on a six-month residency organised by Conseil des arts et des lettres du Québec. He wasted no time in making himself at home and living like a Londoner, soon becoming a familiar figure at jazz and improvised music gigs. I first met him one evening when I was volunteering at The Vortex, working on the door. "Hi, I'm François. I play alto sax" he said, handing me a copy of his Ayler Records CD Entrance 3 with Bobo Stenson on piano, Pierre Côté on double bass and Michel Lambert on drums. He gave away plenty of copies of his CD that evening and talked to a lot of people, setting a pattern that would persist throughout his stay.

In conversation, François proved himself to be infectiously outgoing, optimistic and positive. When speaking, he frequently uses the exclamation "Wow!" which reflects his attitude to the world, namely that it is a place to be discovered and a constant source of awe, wonder and inspiration. Having talked to him on many occasions during his stay, I can honestly say that I never left a conversation with François without feeling better afterwards than before.

That same life-force and drive are as obvious in his music as in everything else he does. His stay in London coincided with the release of a trilogy of his albums recorded on a visit to Russia in December 2010, when he played in a trio with Lambert on drums and Russian pianist Alexey Lapin. As with his other releases, the trilogy showed François to be a fluent improviser able to effortlessly spin out satisfying melodic phrases at will. They also demonstrated the empathy he and Lambert share, the kind of understanding that only comes from playing together for years.

The music on Overground to The Vortex, album to come out in 2013, dates from the launch gig for In Motion (the final part of the trilogy), which was held at The Vortex towards the en
.......
more

Liner notes by London journalist John Eyles:

In July 2011, François Carrier arrived in London on a six-month residency organised by Conseil des arts et des lettres du Québec. He wasted no time in making himself at home and living like a Londoner, soon becoming a familiar figure at jazz and improvised music gigs. I first met him one evening when I was volunteering at The Vortex, working on the door. "Hi, I'm François. I play alto sax" he said, handing me a copy of his Ayler Records CD Entrance 3 with Bobo Stenson on piano, Pierre Côté on double bass and Michel Lambert on drums. He gave away plenty of copies of his CD that evening and talked to a lot of people, setting a pattern that would persist throughout his stay.

In conversation, François proved himself to be infectiously outgoing, optimistic and positive. When speaking, he frequently uses the exclamation "Wow!" which reflects his attitude to the world, namely that it is a place to be discovered and a constant source of awe, wonder and inspiration. Having talked to him on many occasions during his stay, I can honestly say that I never left a conversation with François without feeling better afterwards than before.

That same life-force and drive are as obvious in his music as in everything else he does. His stay in London coincided with the release of a trilogy of his albums recorded on a visit to Russia in December 2010, when he played in a trio with Lambert on drums and Russian pianist Alexey Lapin. As with his other releases, the trilogy showed François to be a fluent improviser able to effortlessly spin out satisfying melodic phrases at will. They also demonstrated the empathy he and Lambert share, the kind of understanding that only comes from playing together for years.

The music on Overground to The Vortex, album to come out in 2013, dates from the launch gig for In Motion (the final part of the trilogy), which was held at The Vortex towards the en
.......
more


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