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STAN GETZ
At The Shrine [Bonus Tracks]

jazz/impro
Pool Winners, 2010

total time: 77:41

aver. mark: -    mark it!

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CD:10,52€
Out of stock
availability: about a month ?
cat. no: PWR27249
format : CD
number of discs : 1
packaging : jewel case


no. title play mp3
1 Flamingo 8:38
2 Lover Man 5:21
3 Pernod 6:35
4 Tasty Pudding 8:08
5 I'll Remember April 8:17
6 Polka Dots And Moonbeams 3:59
7 Open Country 5:51
8 It Don't Mean A Thing 6:16
9 We'll Be Together Again 8:46
10 Feather Merchant 8:16
11 Flamingo [Studio Version] 7:29


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muzycy:
Stan Getz: tenor sax
Bob Brookmeyer: valve trombone
John Williams: piano
Bill Anthony: bass
Art Mardigan: drums

Editor's info:
The complete 2-LP collection Stan Getz at the Shri Straightahead/Mainstream
premiera polska: 2010-11-24
kontynent: Ameryka Północna
kraj: USA
opakowanie: plastikowe etui
opis:
Editor's info:
The complete 2-LP collection Stan Getz at the Shrine (Norgran MGN2000-2), featuring the leader in a quintet format sharing the front-line with valve trombonist Bob Brookmeyer live in Los Angeles on November 8, 1954. Although most of it was recorded at the Shrine Auditorium, the last two tracks were actually made in a studio the following day with a different drummer. An alternate version of the opening song, "Flamingo", from the November 9, 1954 studio session has been added here as a bonus.
Includes 12-page booklet

***** DOWN BEAT original review: Stan Getz at the Shrine "Stan Getz at the Shrine is Stan's first concert album. The concert selections are all of considerable worth. Getz' imaginative improvisational patterns continue to flow with rare taste and a moving emotional pulse. Recorded sound is the best Norgran-Clef has reached." (Nat Hentoff) Recorded live at Los Angeles" Shrine Auditorium, on November 8, 1954,and in an L.A. studio on the following day, Stan Getz at the Shrine was the first (mostly) live album by Getz to appear on the market. Featuring a flexible but solid band, the music here shows a lot of variety. For example, there is the subtle, gossamer ballad "Lover Man," along with valve trombonist Bob Brookmeyer's quirky composition "Open Country," which has a distinctively traditional jazz feel to it. Getz and Brookmeyer play off of each other wonderfully, creating interesting counterpoints. It almost sounds as if they are creating a two-part jazz fugue on the final statements of certain songs. The chemistry between the horn players is particularly stunning on the conclusion of "Flamingo," where the two horns are deep in conversation. The concert ends with the old war-h
.......
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Editor's info:
The complete 2-LP collection Stan Getz at the Shri Straightahead/Mainstream
premiera polska: 2010-11-24
kontynent: Ameryka Północna
kraj: USA
opakowanie: plastikowe etui
opis:
Editor's info:
The complete 2-LP collection Stan Getz at the Shrine (Norgran MGN2000-2), featuring the leader in a quintet format sharing the front-line with valve trombonist Bob Brookmeyer live in Los Angeles on November 8, 1954. Although most of it was recorded at the Shrine Auditorium, the last two tracks were actually made in a studio the following day with a different drummer. An alternate version of the opening song, "Flamingo", from the November 9, 1954 studio session has been added here as a bonus.
Includes 12-page booklet

***** DOWN BEAT original review: Stan Getz at the Shrine "Stan Getz at the Shrine is Stan's first concert album. The concert selections are all of considerable worth. Getz' imaginative improvisational patterns continue to flow with rare taste and a moving emotional pulse. Recorded sound is the best Norgran-Clef has reached." (Nat Hentoff) Recorded live at Los Angeles" Shrine Auditorium, on November 8, 1954,and in an L.A. studio on the following day, Stan Getz at the Shrine was the first (mostly) live album by Getz to appear on the market. Featuring a flexible but solid band, the music here shows a lot of variety. For example, there is the subtle, gossamer ballad "Lover Man," along with valve trombonist Bob Brookmeyer's quirky composition "Open Country," which has a distinctively traditional jazz feel to it. Getz and Brookmeyer play off of each other wonderfully, creating interesting counterpoints. It almost sounds as if they are creating a two-part jazz fugue on the final statements of certain songs. The chemistry between the horn players is particularly stunning on the conclusion of "Flamingo," where the two horns are deep in conversation. The concert ends with the old war-h
.......
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