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CAN
The Lost Tapes

postrock
Mute, 2012

Czas trwania: 68:02,59:12, 68:40

Średnia ocena klientów: -    oceń

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CD : 74,90 zł
dostępność:
tydzień
Nr kat.: LCDSPOON55
EAN: 5099972166321
format : CD
liczba nośników : 3
Opakowanie : kartonowy ecopack


nr tytuł play mp3
  Part 1
1 Millionenspiel
2 Waiting For The Streetcar
3 Evening All Day
4 Deadly Doris
5 Graublau
6 When Darkness Comes
7 Blind Mirror Surf
8 Oscura Primavera
9 Bubble Rap
Part 2
1 Your Friendly Neighbourhood Whore
2 Waiting For The Streetcar
3 The Agreement
4 Midnight Sky
5 Desert
6 Spoon (Live)
7 Dead Pigeon Suite
8 Abra Cada Braxas
9 A Swan Is Born
10 The Loop
Part 3
1 Godzilla Fragment
2 On The Way To Mother Sky
3 Midnight Men
4 Networks Of Foam
5 Messers, Scissors, Fork and Light
6 Barnacles
7 E.F.S 108
8 Private Nocturnal
9 Alice
10 Mushroom (Live)
11 One More Saturday Night (Live)


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Limited edition numbered 3CD box set of unreleased material

Brand new tracks as if you where there - Halcyon days, not outtakes

10” square, old fashioned tape box style packaging with 24 page 10” booklet

Includes exclusive sleeve notes by Irmin Schmidt and Ian Harrison

Spoon Records and Mute are delighted to announce the release of Can – The Lost Tapes, the long awaited box set of unreleased studio, soundtrack and live material.

The Lost Tapes, out on 18 June 2012, was curated by Irmin Schmidt and Daniel Miller, compiled by Irmin Schmidt and Jono Podmore, and edited by Jono Podmore.

When the legendary Can studio in Weilerswist was sold to the German Rock N Pop Museum, they bought everything, including the army mattresses that covered the walls for sound protection, and relocated it to Gronau.

Whilst dismantling the studio, master tapes were found and stored in the Spoon archive. With barely legible labeling, no one was sure what was on these until Irmin Schmidt and long time collaborator Jono Podmore started to go through over 30 hours of music.

What they found was years of archived material, not outtakes, but rather tracks which had been shelved for a variety of reasons – soundtracks to films that were never released and tracks that didn’t make it onto the final versions of albums due to space.

Irmin Schmidt explains "Obviously the tapes weren’t really lost, but were left in the cupboards of the studio archives for so long everybody just forgot about them. Everybody except Hildegard, who watches over Can and its work like the dragon over the gold of the Nibelungen and doesn’t allow forgetting."

The final cut of tracks, dating from 1968-1977, features studio material recorded at Schloss Nörvenich and Can Studio, Weilerswist with the Can line up of Holger Czukay on bass, Michael
.......
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