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Art Bears
The World As It Is Today

awangarda/ postrock/ rock
ReR Megacorp, 2011

Czas trwania: 32:11

Średnia ocena klientów: -    oceń

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CD : 39,90 zł
na stanie
Nr kat.: ReR ab3
format : CD
liczba nośników : 1
Opakowanie : plastik


nr tytuł play mp3
1 The Song Of Investment Capital Overseas
2 Truth
3 Freedom
4 (armed) Peace
5 Civilisation
6 Democracy
7 The Song Of The Martyrs
8 Law
9 The Song Of The Monopolists
10 The Song Of The Dignity Of Labour Under Capital
11 Albion, Awake!


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Studio Album, released in 1980, reedycja.

The third classic Art Bears record, and the most austere. Remastered and repackaged.

Line-up / Musicians

- Fred Frith / guitars, violin, keyboards
- Chris Cutler / drums, percussion
- Dagmar Krause / vocals
+ Etienne Conod / engineering, mixing

Drago Museveni @ http://surfingtheodyssey.blogspot.com:

Art Bears' third and final album was recorded much like the preceding Winter Songs - Chris Cutler arrived at the studio with the lyrics already written, Frith set them to music more or less on the spot and the album was completed in just a couple of weeks. Where the previous album drew heavily on Cutler's fascination with the Middle Ages, The World... goes back to the Brechtian influences heard on Hopes and Fears and the lyrics are a savage critique of global capitalism. Frith's music complements this perfectly, while Dagmar Krause gave a bravura performance as RIO's answer to Lotte Lenya.

Right from the outset the listener is left in no doubt as to the direction of this material; 'The Song Of Investment Capital Overseas' comes straight out of Bertold Brechts Big Book Of Catchy Song Titles, while Frith's piano driven setting, underpinned by Cutler's restless drumming, suggests a militant left wing cabaret band. Imagine Slapp Happy after an intensive course in Marxism and you'll have a pretty good idea of what to expect. This sets the tone for what is to follow - the folk influences discernible on the first two albums are largely absent, while the use of the studio is now an integral part of the compositional process. The influence of pioneers like Faust and The Residents is more overt than ever, and on Civilisation the lengthy coda sounds like a nod to Not Waving/Water from This Heat's first album. While there is no out and out rocker here, Democracy features some thunderous drumming in contrast to Cutler's more charac
.......
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