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Nurse With Wound
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awangarda/ industrial
Abstrakce, 2020

Średnia ocena klientów: -    oceń

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winyl : 189,90 zł
dostępność:
2 tygodnie
EAN: 5055869583381
format : 2x12"LP
liczba nośników : 2
opakowanie : singlefold
Waga: 0.46 kg


nr tytuł play mp3
1 ROCK N ROLL STATION
2 THE SELF SUFFICIENT SEXUAL SHOE
3 TWO GOLDEN MICROPHONES
4 A SILHOUETTE AND A THUMBTACK (DANCE IN HYPERSPACE)
5 R+B THROUGH COLLIS BROWNE
6 FINSBURY PARK, MAY 8TH, 1:35PM (I'LL SEE YOU IN ANOTHER WORLD)
7 SUBTERRANEAN ZAPPA BLUES (ALTERNATE MIX)


  powiadom mnie kiedy pojawią się sample
  poleć znajomemu

 


https://youtu.be/6Lg_FM-ILd0

First time on vinyl since 2006 and first time with its original track listing. Limited one-off pressing with letter press cover and bonus track.Steven Stapleton and Colin Potter. Rock 'n Roll Station began life with Steven Stapleton asking engineer Colin Potter to remix some of the more rhythmic elements of 'Colder Still' from 1992's Thunder Perfect Mind. As Potter gradually warped these sections into weirder and weirder pieces, a new album began to emerge. Potter himself explained it to David Keenan in England's Hidden Reverse: "What I sometimes did in the studio was to 'over-use' effects and processors to totally mutate a piece into something completely different" while Stapleton observed how "it was almost as though telepathic messages were sent over to Colin. [We'd] started an album [together at IC Studio] that was never finished. He [then] sent me some vague mixes, which were just what I had in mind. So, from that basis, I started putting the album together." Potter would quickly become a key player in Nurse With Wound's productions, a position he continues to fulfil to this day. He was first credited as a member on 1992's Thunder Perfect Mind, a tour-de-force of cold, at times hostile, machined atmospheres, but considers Rock 'N Roll Station from the following year to still be his favourite. Building on percussion and drone elements, Stapleton and Potter throw in a huge range of bizarre and atmospheric elements: didgeridoos, chanting voices, and their usual selection of unidentifiable sounds. Its strong focus on rhythm was erroneously surmised by some as an attempt to join the then rising electronic dance music scene. The album's title alluded to two specifically rock-related stations of influence: the song of the same name by Jac Berrocal, of which a surprisingly straight cover opens the album in homage; and the tragic life of the Sixties British R&B organist Graham Bond who influenced bands such as Deep Purple and Cream. Beset by mental health problems (at o.......
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