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Nicole Mitchell
Mandorla Awakening II: Emerging Worlds

jazz/yass/impro
FPE Records, 2017

Średnia ocena klientów: -    oceń

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CD : 68,90 zł
dostępność:
ok. miesiąca
Nr kat.: FPE012CD
EAN: 0857827004175
format : CD
liczba nośników : 1
Opakowanie : digipack


nr tytuł play mp3
1 Egoes War 07:36
2 Sub-mission 05:35
3 The Chalice 02:49
4 Dance of Many Hands 05:48
5 Listening Embrace 12:06
6 Forestwall Timewalk 04:54
7 Staircase Struggle 09:48
8 Shiny Divider 08:06
9 Mandorla Island 10:22
10 TimeWrap 07:15


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https://youtu.be/ZbCd6iPoQCA
https://youtu.be/1hINj54mIrM

muzycy:
Nicole Mitchell’s Black Earth Ensemble
avery r young: vocals
Kojiro Umezaki: shakuhachi
Nicole Mitchell: flute, electronics
Renée Baker: violin
Tomeka Reid: cello, banjo
Alex Wing: electric guitar, oud
Tatsu Aoki: bass, shamisen, taiko
Jovia Armstrong: percussion

Editor's Info:
"One of the most exciting jazz soloists and composers in the world" --Peter Margasak, Chicago Reader

Blurring the edges between philosophy and mysticism, modern art and radical political critique, the Afrofuturist impulse has been a cultural force since the mid-20th century. That’s when jazz visionary Sun Ra and his Arkestra first touched down on Planet Earth and told humanity that space (outer and inner) is indeed the place. It’s an impulse that in the new millennium has only grown more diverse thanks to a proliferating number of African-American musicians who use Afrofuturism as a platform to launch their own, unique visions. Among these explorers are cosmic jazz saxophonist Kamasi Washington, post-everything beat maker Flying Lotus, R&B cyborg Janelle Monáe and dystopian noise-rappers Death Grips.

The innovative, boundary-smashing work of Nicole Mitchell, whom Chicago Reader music critic Peter Margasak has hailed as the “greatest living flutist in jazz”, has contributed new life to Afrofuturism in the 21st Century. A voracious reader of science fiction since her youth (Afrofuturist author Octavia E. Butler in particular has exerted a heavy influence on her music), the musician, composer and educator has released a string of albums that fold themes centered around technology, spirituality, race and gender into profoundly exploratory jazz that oftentimes reaches far beyond the genre in which it is rooted. Her vast sound can and often does encompass contemporary classical, globally oriented fusion, gospel, spoken word, funk-inspired groove research and even brittle shards of avant-rock.

On Mandorla Awakening II: Emerging Worlds (FPE Records, May 5), her second and latest full-length for the Chicago-based FPE Records, she uses science fiction to pose the question, “What would a world look like that is truly egalitarian, with advanced technology that is in tune with nature
.......
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