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BRAIN DAMAGE
Big Youth
Beyond The Blue [meets]

reggae/dub
Jarring Effects, 2021

Czas trwania: 46:45

Średnia ocena klientów: -    oceń

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CD : 64,90 zł
dostępność:
ok. miesiąca
Nr kat.: FX152
EAN: 3521383465158
format : CD
liczba nośników : 1
Opakowanie : kartonowy ecopack
winyl : 95,90 zł
na stanie
Nr kat.: FX152-2LP
EAN: 3521381565164
format : 2x12"LP
kolor : czarny
liczba nośników : 2
opakowanie : singlefold
Waga: 0.5 kg
 


nr tytuł play mp3
1 2020 I Pray Thee 3:44
2 Educated Fools 4:04
3 Good to Talk 3:20
4 Wareika Hill 5:23
5 Beyond the Blue 5:01
6 Biological Warfare 3:19
7 Mama Africa 4:21
8 Grandma's Joint 3:43
9 Dying Too Young 1:21
10 Those Days 4:24
11 Tomorrow Is Another Day 4:46
12 Play It Again 3:20


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https://youtu.be/Ca6OXyF7ZvQ

... a story in History

… or how to condense in a sound bite, the incredible and terrible journey, experienced by Martin Nathan and his longtime friend Samuel Clayton Jr, both gone to Jamaica in March 2020, for a collaboration with the legendary Big Youth. The context of a first and unprecedented world lockdown has only left them very little time to record the takes with the famous DJ, before they both contracted the virus. Martin Nathan was lucky enough to be able to get back to France, although had to remain confined and to take care of himself alone in his studio during five weeks upon his return. Samuel Clayton Jr, however, did not come back, struck down by the disease in Kingston.

The iron determination of the producer, supported by his label Jarring Effects and the Jamaican producer Stephen Stewart, did nonetheless bring the project to completion.

For his part, one thing is certain, Big Youth is in great shape! He brilliantly signs his return with that album, made up almost exclusively of new pieces, the first in many years! In the very words of the numerous prominent musicians and singers who witnessed the takes at Anchor studios in Kingston, he has lost none of his verve: « …you still get it, man! ». Sparkling and inexhaustible, distilling an amazing variety of vocal styles, that he created himself, he recalls at once “the old days”, the golden age of Jamaican reggae in the 1960 & 70’s, performs his version somewhat conspiracist, of the sanitary crisis, evokes his faith and tells about love … while perfectly merging into each universe offered by Brain Damage.

As if we are delighted to hear the elder’s shape and inventiveness, Martin Nathan is definitely not outdone and overhauls his style once again for the occasion. Always more musical, his compositions integrate diverse influences, hitherto untapped by him, like jazz, blues, ska, rock-steady ̷
.......
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