Musical missive number two (or three if you count the sidelong Fear Falls Burning remix from a few years back) from Harvestman, the cosmic folk space raga alter ego of Neurosis' Steve Von Till.

The first Harvestman record, Lashing The Rye, was a dizzying confluence of delicate seventies British-style folk, shimmery spaced out drift, and glacial doomdrone sprawl, a constantly evolving, organic song suite that seemed to exist in some glorious blissed out otherworld. On In A Dark Tongue, the glimmering strands of traditional folk music that tethered the first record become even more tenuous. Even at its spaciest, Harvestman seemed grounded and earthbound, certainly with an eye to the stars, but the sounds evoking frosty mountainsides, deep forests, blackened skies, as much as strange shapes in the heavens and mysterious galaxies, the soundtrack to a strange terrestrial world, lit by the contrails of mysterious bodies streaking across the heavens.

Like Lashing The Rye, In A Dark Tongue is also a weathered megalithic sonic artifact of an unknowable culture, its symbols obscure yet magnetic, calling one into communion with its ancient spirit. Enduring, unnerving, moving. Evoking arcane rites, cold hazy sunrises, a god/dess visible only in the massive wheeling patterns of nature and sound. But … Dark Tongue moves beyond its predecessor, creating a linked, yet wholly other sonic landscape, at once more abstract and ethereal, but also heavier and more dense, with a black hole intensity woven into the otherwise kaleidoscopic drift, the sound constantly shifting from woozy, bleary eyed psychedelia to loosely propulsive spacekraut groove, fluttery delicate thrum to wild metallic squall, all doused in effects, a warm fuzzy patina of gauzy blur and muted buzz.

It's almost as if the songs here are not so much songs as transmissions, broadcast from a lost land, messages from the original Harvestman, sprawling lysergic druidic ritua.......
more

Musical missive number two (or three if you count the sidelong Fear Falls Burning remix from a few years back) from Harvestman, the cosmic folk space raga alter ego of Neurosis' Steve Von Till.

The first Harvestman record, Lashing The Rye, was a dizzying confluence of delicate seventies British-style folk, shimmery spaced out drift, and glacial doomdrone sprawl, a constantly evolving, organic song suite that seemed to exist in some glorious blissed out otherworld. On In A Dark Tongue, the glimmering strands of traditional folk music that tethered the first record become even more tenuous. Even at its spaciest, Harvestman seemed grounded and earthbound, certainly with an eye to the stars, but the sounds evoking frosty mountainsides, deep forests, blackened skies, as much as strange shapes in the heavens and mysterious galaxies, the soundtrack to a strange terrestrial world, lit by the contrails of mysterious bodies streaking across the heavens.

Like Lashing The Rye, In A Dark Tongue is also a weathered megalithic sonic artifact of an unknowable culture, its symbols obscure yet magnetic, calling one into communion with its ancient spirit. Enduring, unnerving, moving. Evoking arcane rites, cold hazy sunrises, a god/dess visible only in the massive wheeling patterns of nature and sound. But … Dark Tongue moves beyond its predecessor, creating a linked, yet wholly other sonic landscape, at once more abstract and ethereal, but also heavier and more dense, with a black hole intensity woven into the otherwise kaleidoscopic drift, the sound constantly shifting from woozy, bleary eyed psychedelia to loosely propulsive spacekraut groove, fluttery delicate thrum to wild metallic squall, all doused in effects, a warm fuzzy patina of gauzy blur and muted buzz.

It's almost as if the songs here are not so much songs as transmissions, broadcast from a lost land, messages from the original Harvestman, sprawling lysergic druidic ritua.......
more