muzycy:
Ensemble Avantgarde Leipzig
Christian Sprenger: flute (1-4)
undine röhner-stolle: oboe (1,4)
Ib Hausmann: clarinet & bass clarinet (1-4)
Anja Barz: clarinet (1,4)
Axel Andrae: bassoon (1,4)
Salome Kammer: voice (3)
Andreas Seidel: violin (1,2,4)
Till Büning: violin (1,3,4)
Ivo Bauer: viola (1,3,4)
Matthias Moosdorf: cello (1-4)
Stefan Stopora: percussion (1-4),
Josef Christof: piano (2)
Steffen Schleiermacher: piano (3) & co-conductor (1,4)
Earl Brown: conductor

Editor's info:
The question of form is key in the music of Earle Brown, one of the foremost American composers of the past fifty years. It was a certain amount of serendipity and a shared interest in the liberation of musical form which brought Brown to gether, circa 1951, with John Cage, Morto n Feldman, Christian Wolff, and David Tudor, in what was for a time called the New York School. ... There was a close identification between these composers and painters at this time, and Feldman and Brown, especially, took vital inspiration from the philosophies and techniques of artists like, respectively, Rothko and Pollock. Art Lange

Editor's info:
The question of form is key in the music of Earle Brown, one of the foremost American composers of the past fifty years. It was a certain amount of serendipity and a shared interest in the liberation of musical form which brought Brown to gether, circa 1951, with John Cage, Morto n Feldman, Christian Wolff, and David Tudor, in what was for a time called the New York School. ... There was a close identification between these composers and painters at this time, and Feldman and Brown, especially, took vital inspiration from the philosophies and techniques of artists like, respectively, Rothko and Pollock. Art Lange