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The songs on Tin Can Trust were all recorded together by the full band in the studio, giving the album a cohesive, live feel and capturing the vibrant essence that has made Los Lobos so popular over the years.

The venerable quintet once again redefines itself and expands its scope, while never losing sight of where they come from. And, like so much of Los Lobos' previous work, Tin Can Trust is an album that speaks to the time and place in which it was conceived; the album's title can be traced back more than a century, but for the band, it's apt for the rickety state in which so many of us find ourselves and our world today.

The 11 tracks on Tin Can Trust offer the perfect balance of Los Lobos' parts: the band's lineup has remained uninterrupted since 1984, when saxophonist/keyboardist Steve Berlin joined original members Louie Pérez (guitar, drums, vocals), David Hidalgo (guitar, violin, accordion, percussion, vocals), Cesar Rosas (guitar, vocals) and Conrad Lozano (bass, vocals), each of whom had been there since the beginning in 1973.

Seven songs on the album are distinguished and genius Hidalgo-Pérez collaborations, including the opening track “Burn It Down,” which features a guest vocal harmony from blues-rocker Susan Tedeschi. Three others were written in whole or in part by Rosas – including the album’s two Spanish-language numbers: the cumbia “Yo Canto” and the norteño “Mujer Ingrata” – and display Los Lobos’ signature seamless infusion of Mexican folk songs into rock music. Also included in Tin Can Trust – a cover of the Grateful Dead’s “West L.A. Fadeaway” – offering a nod to the bands’ shared history that extends back into the 1980s when the Angelenos befriended and opened shows for their northern peers.

The songs on Tin Can Trust were all recorded together by the full band in the studio, giving the album a cohesive, live feel and capturing the vibrant essence that has made Los Lobos so popular over the years.

The venerable quintet once again redefines itself and expands its scope, while never losing sight of where they come from. And, like so much of Los Lobos' previous work, Tin Can Trust is an album that speaks to the time and place in which it was conceived; the album's title can be traced back more than a century, but for the band, it's apt for the rickety state in which so many of us find ourselves and our world today.

The 11 tracks on Tin Can Trust offer the perfect balance of Los Lobos' parts: the band's lineup has remained uninterrupted since 1984, when saxophonist/keyboardist Steve Berlin joined original members Louie Pérez (guitar, drums, vocals), David Hidalgo (guitar, violin, accordion, percussion, vocals), Cesar Rosas (guitar, vocals) and Conrad Lozano (bass, vocals), each of whom had been there since the beginning in 1973.

Seven songs on the album are distinguished and genius Hidalgo-Pérez collaborations, including the opening track “Burn It Down,” which features a guest vocal harmony from blues-rocker Susan Tedeschi. Three others were written in whole or in part by Rosas – including the album’s two Spanish-language numbers: the cumbia “Yo Canto” and the norteño “Mujer Ingrata” – and display Los Lobos’ signature seamless infusion of Mexican folk songs into rock music. Also included in Tin Can Trust – a cover of the Grateful Dead’s “West L.A. Fadeaway” – offering a nod to the bands’ shared history that extends back into the 1980s when the Angelenos befriended and opened shows for their northern peers.