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Einsturzende Neubauten
Silence is Sexy

avant-pop/ wave/dark/gothic
Potomak, 2011

total time: 69:07

aver. mark: -    mark it!

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shipping costs


CD:16,74€
in stock
cat. no: 957052
EAN: 4047179570527
format : CD
number of discs : 1
packaging : digipack
vinyl:44,25€
Out of stock
availability: up to a month ?
colour : black
format : 2x12"LP
number of discs : 2
weight : 180 gramm
 


no. title play mp3
1 Sabrina
2 Silence Is Sexy
3 In Circles
4 Newtons Gravitatlichkeit
5 Zampano
6 Heaven Is Honey
7 Beauty
8 Die Befindlichkeit Des Landes
9 Sonnenbarke
10 Musentango
11 Alles
12 Redukt
13 Dingsaller
14 Anrufe in Abwesenheit
+ bonus (vinyl only):
15 Pelikanol 18:30


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https://youtube.com/playlist?list=OLAK5uy_mmvYFz8HXu1S5OAM0pDvtKRJsZfGszHtM&si=Dy1KPyBZisn3Rkye

Silence is Sexy (2000-2011) – Finally, Einstürzende Neubauten’s long-awaited reissue on the band’s own label Potomak
Silence is not sexy at all!!! The power of soft tones.

The element of surprise was and continues to be routine for the Einstürzende Neubauten. On “Silence is Sexy” they masterfully celebrate the unexpected in the exploration of silence.

“Silence is Sexy” is a wonderful album in the classical Neubauten sense; lyrical and melancholy. It’s a musical coming-of-age from metal-defying scrap iron sound to constructed melodiousness, with a familiar rhythmic undertow and a bittersweet melancholy – playful, arrogant, poetic, subversive, dandified and mature.

From its first release in 2000 (marking the 20-year existence of the band) to date, it has doubtlessly remained the most complex work of the Neubauten and the most fascinating in its evolution. It shows the Neubauten universe from both a known, emotionally moving side, as well as one that is deliberately constructive. It clearly breathes the inimitably rough Neubauten handwriting, while Blixa’s voice cuts through intellectual and cryptic texts. It is carried by metal sounds, from which individual instruments can almost no longer be extracted – and by silence. Ultimately, nearly inaudible tones or laughter in the right place can seem more destructive than the most enduring rage.

A fascination with improvisation including musical intricacies and special instruments had always been their trademark and continues here in a completely new, impressive way. Plucking the soft, subtle tones, the band permits itself irony and self-mockery. This sounds humorous, melancholy and astonishingly tender, despite conscious cross-references to their loud beginnings.

The band – Blixa Bargeld, Andrew Unruh, Alexander Hacke, Jochen Arbeit and Rudolf Moser – now celebrate p
.......
more

Reedycja albumu z 2000 roku.

Silence is Sexy (2000-2011) – Finally, Einstürzende Neubauten’s long-awaited reissue on the band’s own label Potomak
Silence is not sexy at all!!! The power of soft tones.

The element of surprise was and continues to be routine for the Einstürzende Neubauten. On “Silence is Sexy” they masterfully celebrate the unexpected in the exploration of silence.

“Silence is Sexy” is a wonderful album in the classical Neubauten sense; lyrical and melancholy. It’s a musical coming-of-age from metal-defying scrap iron sound to constructed melodiousness, with a familiar rhythmic undertow and a bittersweet melancholy – playful, arrogant, poetic, subversive, dandified and mature.

From its first release in 2000 (marking the 20-year existence of the band) to date, it has doubtlessly remained the most complex work of the Neubauten and the most fascinating in its evolution. It shows the Neubauten universe from both a known, emotionally moving side, as well as one that is deliberately constructive. It clearly breathes the inimitably rough Neubauten handwriting, while Blixa’s voice cuts through intellectual and cryptic texts. It is carried by metal sounds, from which individual instruments can almost no longer be extracted – and by silence. Ultimately, nearly inaudible tones or laughter in the right place can seem more destructive than the most enduring rage.

A fascination with improvisation including musical intricacies and special instruments had always been their trademark and continues here in a completely new, impressive way. Plucking the soft, subtle tones, the band permits itself irony and self-mockery. This sounds humorous, melancholy and astonishingly tender, despite conscious cross-references to their loud beginnings.

The band – Blixa Bargeld, Andrew Unruh, Alexander Hacke, Jochen Arb
.......
more


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