A Polish actress, she joined the Academy of Theatre of Paris.
Far from her roots, she found herself: some soft lullabies composed on a lost guitar, and her fingers remember. Her memory can sing again. Two major encounters are sufficient, then: the musicians and the audience, both sensitive to the language of emotions. The young and passionate woman reinvents the words of Slavonic poets (and also Shakespeare’s) and delivers a sweet and expressive singing, in her mother tongue.

Her fourth album is a mixture of Folk, Worldmusic and Chanson, named after Shakespeares Sonnet 29.

Płyta Aldony Nowowiejskiej, na stałe mieszkającej we Francji.

A Polish actress, she joined the Academy of Theatre of Paris.
Far from her roots, she found herself: some soft lullabies composed on a lost guitar, and her fingers remember. Her memory can sing again. Two major encounters are sufficient, then: the musicians and the audience, both sensitive to the language of emotions. The young and passionate woman reinvents the words of Slavonic poets (and also Shakespeare’s) and delivers a sweet and expressive singing, in her mother tongue.

Her fourth album is a mixture of Folk, Worldmusic and Chanson, named after Shakespeares Sonnet 29.