4 tracks, 65 minutes. This session contains four frantic pieces of primitive expressionism from the noise-rockers. This album portrays the intensity of their live shows.

The Magik Markers are a noise-rock band who feed directly from the influence of No-Wave and elements of improvisation. The band hail from Hartford, Connecticut USA, and Elisa Ambrogio, Leah Quimby and Pete Nolan have had two releases of inventory guitar distortion. The first, I Trust My Guitar was released on Thurston Moore's Ecstatic Peace label in 2005 and then a full length CD, A Panegyric To The Things I Do Not Understand was released in 2006.

Volodor Dance, recorded for Latitudes, contains four frantic pieces of primitive expressionism which were recorded live to tape, no overdubs, no re-takes. Three of the songs are deeply instinctive and rattle and holler along the free rock tradition, the fourth is an energetic assault on a three chord punk rawk song, all in all the session was a total success, with the engineer bottling the explosive spirit of the band's phenomenal live performance with skill. Words don't do justice to a band as important as this one and this session is the closest thing you'll hear to actually witnessing their frantic live show.

4 tracks, 65 minutes. This session contains four frantic pieces of primitive expressionism from the noise-rockers. This album portrays the intensity of their live shows.

The Magik Markers are a noise-rock band who feed directly from the influence of No-Wave and elements of improvisation. The band hail from Hartford, Connecticut USA, and Elisa Ambrogio, Leah Quimby and Pete Nolan have had two releases of inventory guitar distortion. The first, I Trust My Guitar was released on Thurston Moore's Ecstatic Peace label in 2005 and then a full length CD, A Panegyric To The Things I Do Not Understand was released in 2006.

Volodor Dance, recorded for Latitudes, contains four frantic pieces of primitive expressionism which were recorded live to tape, no overdubs, no re-takes. Three of the songs are deeply instinctive and rattle and holler along the free rock tradition, the fourth is an energetic assault on a three chord punk rawk song, all in all the session was a total success, with the engineer bottling the explosive spirit of the band's phenomenal live performance with skill. Words don't do justice to a band as important as this one and this session is the closest thing you'll hear to actually witnessing their frantic live show.