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Johann Sebastian Bach
The Rough Guide To Classical Composers: J.S. Bach

classical
World Music Network, 2011

total time: 63:29; 71:13

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CD:13,27€
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availability: about a month ?
cat. no: RGNET1241CD
format : CD
number of discs : 2
packaging : digipack


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  CD 1:
1 Steven Isserlis (Cello): Cello Suite No. 1 in G major, BWV1007: I. Prelude
2 The Brandenburg Consort, Roy Goodman (Conductor): Orchestral Suite No. 1 in C major, BWV1068: I. Overture
3 The Brandenburg Consort, Roy Goodman (Conductor): Orchestral Suite No. 3 in D major, BWV1068: II. ‘Air on the G String'
4 The Brandenburg Consort, Roy Goodman (Conductor): Orchestral Suite No. 3 in D major, BWV1068: III. Gavotte
5 The Brandenburg Consort, Roy Goodman (Conductor): Orchestral Suite No. 3 in D major, BWV1068: IV. Bourrée
6 The Brandenburg Consort, Roy Goodman (Conductor): Orchestral Suite No. 3 in D major, BWV1068: V. Gigue
7 The Sixteen, Harry Christophers (Conductor): Lobet Den Herrn (Praise the Lord), BWV230: Part 1 - Lobet den Herrn, alle Heiden
8 The Sixteen, Harry Christophers (Conductor): Lobet Den Herrn (Praise the Lord), BWV230: Part 2 - Alleluja
9 Angela Hewitt (Piano): Das Wohltemperierte Klavier (The Well-Tempered Clavier) Book 1, BWV846: I. Prelude in C major
10 Angela Hewitt (Piano): Das Wohltemperierte Klavier (The Well-Tempered Clavier) Book 1, BWV846: II. Fugue in C major
11 Angela Hewitt (Piano): Das Wohltemperierte Klavier (The Well-Tempered Clavier) Book 1, BWV847: I. Prelude in C minor
12 Angela Hewitt (Piano: Das Wohltemperierte Klavier (The Well-Tempered Clavier) Book 1, BWV847: II. Fugue in C minor
13 Purcell Quartet: Concerto in C major for Three Harpsichords and Strings, BWV1064: I. Allegro
14 Swiss Baroque Soloists: Brandenburg Concerto No. 1 in F major, BWV1046: IV. Menuet - Trio I - Polonaise - Trio II
15 Florilegium, Johannette Zomer (Soprano): Schlummert Ein, Ihr Matten Augen, Aria from Cantata, BWV82: ‘Ich habe genug' (‘I Have Enough')
16 Thomas Schmögner: Wachet Auf, Ruft Uns Die Stimme (Sleepers Awake), BWV645: Organ Choral Prelude
CD2: The Rough Guide To Angela Hewitt Plays Bach
1 Chromatic Fantasia and Fugue in D minor, BWV903: I. Fantasia
2 Chromatic Fantasia and Fugue in D minor, BWV903: II. Fugue
3 Toccata in E minor, BWV914
4 Italian Concerto in F major, BWV971: I.
5 Italian Concerto in F major, BWV971: II. Andante
6 Italian Concerto in F major, BWV971: III. Presto
7 French Suite No. 5 in G major, BWV816: I. Allemande
8 French Suite No. 5 in G major, BWV816: II. Courante
9 French Suite No. 5 in G major, BWV816: III. Sarabande
10 French Suite No. 5 in G major, BWV816: IV.
11 French Suite No. 5 in G major, BWV816: V. Bourrée
12 French Suite No. 5 in G major, BWV816: VI. Loure
13 French Suite No. 5 in G major, BWV816: VII.
14 Partita No. 3 in A minor, BWV827: I.
15 Partita No. 3 in A minor, BWV827: II. Allemande
16 Partita No. 3 in A minor, BWV827: III. Corrente
17 Partita No. 3 in A minor, BWV827: IV. Sarabande
18 Partita No. 3 in A minor, BWV827: V. Burlesca
19 Partita No. 3 in A minor, BWV827: VI. Scherzo
20 Partita No. 3 in A minor, BWV827: VII. Gigue
21 Goldberg Variations 'Aria Mit Verschiedenen Veränderungen', BWV988: XXXII. Aria Da Capo


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Editor's info:
This Rough Guide was compiled working closely with the renowned British classical label, Hyperion Records. The selection avoids a staid ‘Greatest Hits' approach and showcases Bach's inimitable genius in all its forms. The bonus album entitled, ‘Angela Hewitt Plays Bach' spotlights the famous performer playing a range of Bach's keyboard works, and allows the listener a deeper insight in to the music of the great composer.

J.S. Bach came from an established family of musicians in the German state of Thuringia. He went to school, lived and worked all over middle and north Germany - from his home town Eisenach to Berlin, Hamburg and Lübeck. The most important places he lived were Weimar, Köthen and Leipzig. In the former two cities, he worked for the local aristocracy; the city council of the latter hired him as head of music at the prominent St Thomas Church.

There is only one portrait of Bach that can be guaranteed as authentic. Painted in the 1740s by E.G. Haussmann, it shows a man in his fifties holding a sheet of paper (you can read the music on it - a six-part canon), with a nice, simple jacket, a round face, very alert eyes, a small, but confident smile and a very stiff white wig. Haussmann's portrayal of Bach is as an elegant man, whom we can picture sitting at the organ in majestic churches or in nicely decorated rooms at a table with delicious food. The portrait suggests self-awareness, stability and wealth, and it fuelled the many clichés of Bach, his life and his music that still live on in the twenty-first century.

However, his life was not always in line with these clichés, as stability and wealth did not feature continuously in Bach's life. When he was only 10, both his parents died and he had to move in with his older brother. As a man, he had seven children with his first wife, Maria Barbara, and his second wife gave birth to thirteen, but few of them survived infancy. Wealth also was no
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Ceniona na świecie wytwórnia fonograficzna World Music Network w swojej nowej serii wydawniczej The Rough Guide To Classical Composers wydaje monograficzne płyty dedykowane wybitnym kompozytorom muzyki klasycznej.
Wśród interpretatorów kantora z Lipska znajdziemy The Brandenburg Consort pod dyrekcją Roy'a Goodmana, The Sixteen pod dyrekcją Harry'ego Christophersa, Florilegium z sopranistką Johannette Zomer czy wiolonczelistę Stevena Isserlisa.
Doboru kompozycji i interpretacji dokonano ze znawstwem, co w przypadku tego wydawcy nie dziwi, podobnie udana selekcja występuje przecież na antologiach folkowych. Od dostępnych na rynku fonograficznym podobnych wydawnictw płytę odróżnia wysoki poziom merytoryczny selekcji. Nagranie, które znalazły się na płytach pochodzą z ostatnich lat i zaliczane są do najwybitniejszych interpretacji przez krytyków muzycznych.

Edycja specjalna zawiera dodatkowo bonusowy album "The Rough Guide To Angela Hewitt Plays Bach", wielkiej wirtuozki fortepianu, która była laureatką międzynarodowych konkursów: J.S. Bacha w Lipsku i w Waszyngtonie, a także konkursu Dino Ciani w La Scali w Mediolanie. W 1985 roku wygrała Międzynarodowy Konkurs Pianistyczny im. J.S. Bacha w Toronto. Uzyskała tytuł "Artysty Roku" wg. prestiżowego czasopisma Grammophon.
Po amerykańskim tournee artystki w 2005 r. z Australijską Orkiestrą Kameralną określono ją mianem "wybitnej odtwórczyni Bacha naszych czasów" (The Guardian) oraz "pianistką, która wyznacza granice wykonaniom utworów Bacha na następne lata" (Stereophile).

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