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THE ALVARET ENSEMBLE
THE ALVARET ENSEMBLE

postrock/ classical
Denovali, 2012

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CD:20,89€
Out of stock
availability: about a month ?
cat. no: DEN157
format : CD
number of discs : 2
packaging : digipack
vinyl:33,23€
Out of stock
availability: about a month ?
cat. no: DEN157LP
format : 2x12"LP
number of discs : 2
 


no. title play mp3
1 Byd
2 Eac
3 Dde
4 Ulc
5 Ond
6 Ysj
7 Teq
8 Muo
9 Wju
10 Ggi


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Gatefold 180 gr Vinyl / Free MP3 Downland

Thick 8 panel digipak covers.

''The Alvaret Ensemble is a new improvisatory collective based around Greg Haines (piano), Jan Kleefstra (voice, poems), Romke Kleefstra (guitar and effects) and Sytze Pruiksma (percussion). This self-titled 2xCD/2xLP is our first release, and was recorded over three nights at the Grunewaldkirche in Berlin by Nils Frahm in August of 2011. In keeping with the spirit of the project, other musicians were invited to the sessions to add their own colour and further add to the spontaneity of the recording. In the end, those collaborators played an important part in defining the sound of the album � Iden Reinhart played violin, as did Peter Broderick, while Hilary Jeffery (Kilimanjaro Darkjazz Ensemble etc.) provided the album with its mournful trombone tones. Martyn Heyne, who was just there to help out with recording, ended up unleashing the church's organ and bringing a completely new element and sense of power to the album. We had been talking about recording together for a long time before finally setting the date and the location, so there was a strong sense of anticipation as we began to set-up the space for recording. Then, without scores or discussion, we began to play. In the beautiful and bright acoustics of the Grunewaldkirche, it soon became clear that even when playing incredibly quietly, the sound still filled the room and the tiny details or blemishes that we began to notice in the sound became the compositional tools that informed the recording. Recorded entirely at night, the candlelit atmosphere further added to the level of concentration and interconnectivity, and quickly the pieces began to take on lives of their own � it was as if with just a little guidance they would play out by themselves; as if the scores were already written and we were simply reciting what we had spent years composing. So many months of thoughts and ideas quickly began to pour out into something that
.......
more

Thick 8 panel digipak covers.

''The Alvaret Ensemble is a new improvisatory collective based around Greg Haines (piano), Jan Kleefstra (voice, poems), Romke Kleefstra (guitar and effects) and Sytze Pruiksma (percussion). This self-titled 2xCD/2xLP is our first release, and was recorded over three nights at the Grunewaldkirche in Berlin by Nils Frahm in August of 2011. In keeping with the spirit of the project, other musicians were invited to the sessions to add their own colour and further add to the spontaneity of the recording. In the end, those collaborators played an important part in defining the sound of the album � Iden Reinhart played violin, as did Peter Broderick, while Hilary Jeffery (Kilimanjaro Darkjazz Ensemble etc.) provided the album with its mournful trombone tones. Martyn Heyne, who was just there to help out with recording, ended up unleashing the church's organ and bringing a completely new element and sense of power to the album. We had been talking about recording together for a long time before finally setting the date and the location, so there was a strong sense of anticipation as we began to set-up the space for recording. Then, without scores or discussion, we began to play. In the beautiful and bright acoustics of the Grunewaldkirche, it soon became clear that even when playing incredibly quietly, the sound still filled the room and the tiny details or blemishes that we began to notice in the sound became the compositional tools that informed the recording. Recorded entirely at night, the candlelit atmosphere further added to the level of concentration and interconnectivity, and quickly the pieces began to take on lives of their own � it was as if with just a little guidance they would play out by themselves; as if the scores were already written and we were simply reciting what we had spent years composing. So many months of thoughts and ideas quickly began to pour out into something that
.......
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