The “Somewhere” in which the ‘Standards’ trio find themselves is Lucerne, Switzerland with a performance both exploratory and in-the-tradition. The Neue Zürcher Zeitung headlined its review of the show “Kontrollierte Ekstase” – controlled ecstasy – an apt metaphor for a set that begins in improvisational “Deep Space” modulates into Miles Davis’s “Solar”, soars through the standards “Stars Fell On Alabama” and “Between The Devil And The Deep Blue Sea” and climaxes with an extended romp through West Side Story, as Bernstein’s “Somewhere” and “Tonight” are bridged by the freely associative Jarrett original “Everywhere”.

The “Somewhere” in which the ‘Standards’ trio find themselves is Lucerne, Switzerland with a performance both exploratory and in-the-tradition. The Neue Zürcher Zeitung headlined its review of the show “Kontrollierte Ekstase” – controlled ecstasy – an apt metaphor for a set that begins in improvisational “Deep Space” modulates into Miles Davis’s “Solar”, soars through the standards “Stars Fell On Alabama” and “Between The Devil And The Deep Blue Sea” and climaxes with an extended romp through West Side Story, as Bernstein’s “Somewhere” and “Tonight” are bridged by the freely associative Jarrett original “Everywhere”.