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Jim Haynes
The Wires Cracked

avantgarde/ industrial
Editions Mego, 2013

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Tracklist:

1.1. Oscar (4:45)
1.2. X-Ray (13:49)
2.1. November (17:49)


About ’The Wires Cracked’

The recordings for ‘The Wires Cracked’ were completed in a frenzied two week period in October of 2012. I had mentioned in discussing a previous album’s construction that I prefer to forget how I build any particular electro-acoustic amalgam. This is so that I don’t get to precious with them, so that I could refine them further, so that the sounds themselves speak beyond their aggregate parts. With the album being relatively fresh in my mind, I can still recall various components to ‘The Wires Cracked’ -- the desolate howl of a metal screen activated by a desert wind, the hissing air compression from the cooling apparatus for a laser at the SLAC National Accelerator Laboratory operated by Stanford University, and the tremolo rhythms from a thin wire that still get me thinking fondly of Günter Schickert -- but much of the caustic drone, thrumming reverberation, and tactile grit thoroughly escapes me. That’s probably for the best, since these various parts speak to an existential rupturing, the collapse of the self, the aftershocks of dark energy, and a belief in the hope for renewal.

About Jim Haynes:

Describing his work through the pithy phrase, ‘I rust things,’ Jim Haynes is an artist who has developed a vocabulary of decay that he has applied to photography, video, installation, and sound. Haynes’ sound work draws from shortwave radio static, electric field disturbances, controlled feedback manipulation, and numerous textural scrapings, manifesting broken minimalism of magnetic drones and volatile tactility. This engineering of disparate materials and media seeks to evince the unpredictability of decay, to manifest its potential for a rough hewn beauty, and to bare witness to its inevitability. He has ex
.......
more

Tracklist:

1.1. Oscar (4:45)
1.2. X-Ray (13:49)
2.1. November (17:49)


About ’The Wires Cracked’

The recordings for ‘The Wires Cracked’ were completed in a frenzied two week period in October of 2012. I had mentioned in discussing a previous album’s construction that I prefer to forget how I build any particular electro-acoustic amalgam. This is so that I don’t get to precious with them, so that I could refine them further, so that the sounds themselves speak beyond their aggregate parts. With the album being relatively fresh in my mind, I can still recall various components to ‘The Wires Cracked’ -- the desolate howl of a metal screen activated by a desert wind, the hissing air compression from the cooling apparatus for a laser at the SLAC National Accelerator Laboratory operated by Stanford University, and the tremolo rhythms from a thin wire that still get me thinking fondly of Günter Schickert -- but much of the caustic drone, thrumming reverberation, and tactile grit thoroughly escapes me. That’s probably for the best, since these various parts speak to an existential rupturing, the collapse of the self, the aftershocks of dark energy, and a belief in the hope for renewal.

About Jim Haynes:

Describing his work through the pithy phrase, ‘I rust things,’ Jim Haynes is an artist who has developed a vocabulary of decay that he has applied to photography, video, installation, and sound. Haynes’ sound work draws from shortwave radio static, electric field disturbances, controlled feedback manipulation, and numerous textural scrapings, manifesting broken minimalism of magnetic drones and volatile tactility. This engineering of disparate materials and media seeks to evince the unpredictability of decay, to manifest its potential for a rough hewn beauty, and to bare witness to its inevitability. He has ex
.......
more


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