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Matt Mitchell
Fiction

jazz/impro
PI Recordings, 2013

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CD:17,80€
Out of stock
availability: about a month ?
cat. no: PI50
format : CD
number of discs : 1
packaging : digipack


no. title play mp3
1 veins 6:18
2 brain color 3:00
3 upright 3:08
4 singe 4:02
5 wanton eon 3:29
6 dadaist flu 6:13
7 commas 2:29
8 id balm 3:03
9 ohm nuggets 3:25
10 diction 4:24
11 tether 2:59
12 action field 10:49
13 Specialty Hug 3:50
14 nightmare tesseract 4:24
15 narcotic bases 4:08


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muzycy:
Matt Mitchell: piano
Ches Smith: drums

Editor's info:
Fiction is the highly anticipated debut recording from Matt Mitchell, one of the most in-demand pianists in jazz. Recently named one of “Four Young Pianists on the Rise” by The New York Times, Mitchell is a member of the Dave Douglas Quintet, John Hollenbeck’s Claudia Quintet plus 1 and Large Ensemble, and most prominently Tim Berne’s Snakeoil, whose eponymous album garnered accolades as one of the best releases of 2012.

Born in 1975, Mitchell grew up in the suburbs of Philadelphia and continues to be based in that city. He is a graduate of Indiana University and received his masters from The Eastman School of Music. Mitchell’s name started appearing regularly on the New York jazz scene in 2009 when he started to make a name for himself as a pianist of superb musicality and invention. According to Berne, “Since we began working together the last four years I’ve seen him blossom into one of the most important pianists in music. His ability to navigate complex composed and improvised structures with incredible ease and maturity is revelatory.” Mitchell is also in bands led by Rudresh Mahanthappa, Darius Jones and Michael Attias, among many others. He also leads various ensembles with such musicians as Berne (alto sax), Dan Weiss (drums), and Mary Halvorson (guitar). Dave Douglas says of Mitchell, “He is simply amazing. A true polymath, Matt seems to carry five thousand terabytes of information in him as he plays, and he manages to parse it out in the most ingenious and organic ways.”

The pieces on Fiction were originally conceived by Mitchell as etudes to help him integrate composition with improvisation and to test the technical limits of his pianistic abilities. He started composing these pieces in 2010 just for himself – little musical puzzles to worry over – without much concern whether anyone besides himself would actually be able to play th
.......
more

Editor's info:
Fiction is the highly anticipated debut recording from Matt Mitchell, one of the most in-demand pianists in jazz. Recently named one of “Four Young Pianists on the Rise” by The New York Times, Mitchell is a member of the Dave Douglas Quintet, John Hollenbeck’s Claudia Quintet plus 1 and Large Ensemble, and most prominently Tim Berne’s Snakeoil, whose eponymous album garnered accolades as one of the best releases of 2012.

Born in 1975, Mitchell grew up in the suburbs of Philadelphia and continues to be based in that city. He is a graduate of Indiana University and received his masters from The Eastman School of Music. Mitchell’s name started appearing regularly on the New York jazz scene in 2009 when he started to make a name for himself as a pianist of superb musicality and invention. According to Berne, “Since we began working together the last four years I’ve seen him blossom into one of the most important pianists in music. His ability to navigate complex composed and improvised structures with incredible ease and maturity is revelatory.” Mitchell is also in bands led by Rudresh Mahanthappa, Darius Jones and Michael Attias, among many others. He also leads various ensembles with such musicians as Berne (alto sax), Dan Weiss (drums), and Mary Halvorson (guitar). Dave Douglas says of Mitchell, “He is simply amazing. A true polymath, Matt seems to carry five thousand terabytes of information in him as he plays, and he manages to parse it out in the most ingenious and organic ways.”

The pieces on Fiction were originally conceived by Mitchell as etudes to help him integrate composition with improvisation and to test the technical limits of his pianistic abilities. He started composing these pieces in 2010 just for himself – little musical puzzles to worry over – without much concern whether anyone besides himself would actually be able to play th
.......
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