Opportunity: In April 2013 the pre-eminent free-jazz saxophone player of our times, Ivo Perelman, comes down to The Stone, John Zorn's experimental music club on Manhattan's Lower East Side, to hear the drummer play with Slobber Pup, a thunderously intense band featuring Morris on distortion-laced guitar, Trevor Dunn on electric bass and Jamie Saft on keyboards.Motive: After that performance, Ivo Perelman says "I totally enjoyed Balazs' playing, although I had to cover my ears at times because I wasn't used to hearing such intense music. And as I watched them I thought that if we played together it would sound great with Joe on electric bass, just to give it that punch to match Balazs' intense backbeats."Crime: With no rehearsals, no charts, no sketches or musical road maps whatsoever, one week later the three risk-taking musicians enter Ivo Perelman's studio and make a joyful noise in daring, unadulterated fashion, pulling no punches while following their instincts from start to finish. Fueled by the hard and fast beats of Pandi, who also demonstrates his remarkably versatile skills and keen listening instincts throughout the session, One is a highly interactive studio encounter that borders on the telepathic at times. And with Perelman's cathartic, Albert Ayler-inspired tenor sax blowing on top and Morris' electric bass lines bubbling underneath, sparks ensue on this turbulent project."An Album To Clear Every Conceivable Cobweb Available" Marlbank "Free jazz don't come any freer than this and still qualify as music."MidWestRecord "Arguably the greatest free tenor saxophonist since John Coltrane." - CriticalJazz/Bop-N-Jazz

Opportunity: In April 2013 the pre-eminent free-jazz saxophone player of our times, Ivo Perelman, comes down to The Stone, John Zorn's experimental music club on Manhattan's Lower East Side, to hear the drummer play with Slobber Pup, a thunderously intense band featuring Morris on distortion-laced guitar, Trevor Dunn on electric bass and Jamie Saft on keyboards.Motive: After that performance, Ivo Perelman says "I totally enjoyed Balazs' playing, although I had to cover my ears at times because I wasn't used to hearing such intense music. And as I watched them I thought that if we played together it would sound great with Joe on electric bass, just to give it that punch to match Balazs' intense backbeats."Crime: With no rehearsals, no charts, no sketches or musical road maps whatsoever, one week later the three risk-taking musicians enter Ivo Perelman's studio and make a joyful noise in daring, unadulterated fashion, pulling no punches while following their instincts from start to finish. Fueled by the hard and fast beats of Pandi, who also demonstrates his remarkably versatile skills and keen listening instincts throughout the session, One is a highly interactive studio encounter that borders on the telepathic at times. And with Perelman's cathartic, Albert Ayler-inspired tenor sax blowing on top and Morris' electric bass lines bubbling underneath, sparks ensue on this turbulent project."An Album To Clear Every Conceivable Cobweb Available" Marlbank "Free jazz don't come any freer than this and still qualify as music."MidWestRecord "Arguably the greatest free tenor saxophonist since John Coltrane." - CriticalJazz/Bop-N-Jazz