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Harold Budd
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Music for Fragments from the Inside

electronic/ postrock
Sub Rosa, 2015

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limited first pressing of 500 copies

A 'classic' from our catalogue, never released as vinyl before.

An astonishing piano player drifts on beats and scapes. Recorded during a magic night in the courtyard of a Siena Renaissance Italian Palazzio where the lightness of Harold Budd meets Eraldo Bernocchi deep electronics. Beats and bass, drones and scapes ties together harmonically to meet one of the most emotionally involving piano player/composer. Part of our Sub Rosa Black Core, a serie featuring our 'classics' from the catalogue, never released as vinyl before.

Harold Budd
Harold Budd is one of the very few who can very rightly be called an ambient composer. His music, a sparse and tonal wash of keyboard treatments, was inspired by a boyhood spent listening to the buzz of telephone wires near his home in the Mojave Desert town of Victorville, California (though he was born in nearby Los Angeles). Though interested in music from an early age, Budd was 36, already married and with children of his own, by the time he graduated from the University of Southern California with a degree in Musical Composition in 1966. In 1976, Budd gained a recording contract with the Brian Eno-affiliated EG Records, and released his debut album The Pavilion of Dreams in 1978. Two years later, he collaborated with Eno on one of the landmark albums of the ambient style, Ambient 2: The Plateaux of Mirrors. He became a respected name in the circle of minimalist and avant-garde composers based in Southern California during the late '60s, premiering his works The Candy-Apple Revision and Unspecified D-Flat Major Chord and Lirio around the area. In 1970, he began a teaching career at the California Institute of Arts, but continued to compose while there, writing Madrigals of the Rose Angel in 1972. Harold Budd again worked with Eno on 1984's The Pearl. A contract with Eno's Opal Records resulted in one of Budd's most glorious albums, The White Arcades, recorded in Edinburgh with Robin Guthrie of
.......
more

A 'classic' from our catalogue, never released as vinyl before.

An astonishing piano player drifts on beats and scapes. Recorded during a magic night in the courtyard of a Siena Renaissance Italian Palazzio where the lightness of Harold Budd meets Eraldo Bernocchi deep electronics. Beats and bass, drones and scapes ties together harmonically to meet one of the most emotionally involving piano player/composer. Part of our Sub Rosa Black Core, a serie featuring our 'classics' from the catalogue, never released as vinyl before.

Harold Budd
Harold Budd is one of the very few who can very rightly be called an ambient composer. His music, a sparse and tonal wash of keyboard treatments, was inspired by a boyhood spent listening to the buzz of telephone wires near his home in the Mojave Desert town of Victorville, California (though he was born in nearby Los Angeles). Though interested in music from an early age, Budd was 36, already married and with children of his own, by the time he graduated from the University of Southern California with a degree in Musical Composition in 1966. In 1976, Budd gained a recording contract with the Brian Eno-affiliated EG Records, and released his debut album The Pavilion of Dreams in 1978. Two years later, he collaborated with Eno on one of the landmark albums of the ambient style, Ambient 2: The Plateaux of Mirrors. He became a respected name in the circle of minimalist and avant-garde composers based in Southern California during the late '60s, premiering his works The Candy-Apple Revision and Unspecified D-Flat Major Chord and Lirio around the area. In 1970, he began a teaching career at the California Institute of Arts, but continued to compose while there, writing Madrigals of the Rose Angel in 1972. Harold Budd again worked with Eno on 1984's The Pearl. A contract with Eno's Opal Records resulted in one of Budd's most glorious albums, The White Arcades, recorded in Edinburgh with Robin Guthrie of
.......
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