What are the dreams of a youth that never makes time to rest? For Yung frontman Mikkel Holm Silkjær, a Danish DIY figurehead who has left a catalogue of cassettes and self-produced songs in his wake, the goal seemed to be recording, and living, as fast as possible. Since he began to record music as a teenager (his father put him behind a drum set when he was 4), slow hasn’t been his preferred speed. Writing and performing songs filled with gritty guitar and driving rhythms that snap like a live wire, he’s been busy channelling the electric drive of youth, creating brief, flashing sonic portraits of his life in Aarhus, the country’s gritty, industrial second city.

That makes the music on the reflective A Youthful Dream, the debut album from Yung, such a revelation. Angst makes space for wisdom, youthful exuberance begins channelling road-tested experience, and a blur of basement shows and self-produced bromides becomes something more. DIY doesn’t mean unrefined, it just means personal. And at a point where inertia made way for introspection, Silkjær showcased a new degree of songwriting craft and and sonic experimentation, and a new perspective on everyday life and young adulthood.

“I didn’t think a lot about what was going to happen with those earlier songs, I just wanted to create and talk about my life,” he says. “This time, it was all about the process.”

Where the previous releases such as These Thoughts Are Like Mandatory Chores found Silkjær masterfully running through buzzsaw riffs, recalling The Replacements and Jay Reatard, A Youthful Dream finds Silkjær reshaping his DIY vocabulary and experimenting with a larger sonic palette, in ways that may make fans do a double take. Richer melodies, pianos, and even trumpets made their way into the recording sessions at Sound Studio in Sweden, where Silkjær, Frederik Nybo Veile (drums) and Tobias.......
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What are the dreams of a youth that never makes time to rest? For Yung frontman Mikkel Holm Silkjær, a Danish DIY figurehead who has left a catalogue of cassettes and self-produced songs in his wake, the goal seemed to be recording, and living, as fast as possible. Since he began to record music as a teenager (his father put him behind a drum set when he was 4), slow hasn’t been his preferred speed. Writing and performing songs filled with gritty guitar and driving rhythms that snap like a live wire, he’s been busy channelling the electric drive of youth, creating brief, flashing sonic portraits of his life in Aarhus, the country’s gritty, industrial second city.

That makes the music on the reflective A Youthful Dream, the debut album from Yung, such a revelation. Angst makes space for wisdom, youthful exuberance begins channelling road-tested experience, and a blur of basement shows and self-produced bromides becomes something more. DIY doesn’t mean unrefined, it just means personal. And at a point where inertia made way for introspection, Silkjær showcased a new degree of songwriting craft and and sonic experimentation, and a new perspective on everyday life and young adulthood.

“I didn’t think a lot about what was going to happen with those earlier songs, I just wanted to create and talk about my life,” he says. “This time, it was all about the process.”

Where the previous releases such as These Thoughts Are Like Mandatory Chores found Silkjær masterfully running through buzzsaw riffs, recalling The Replacements and Jay Reatard, A Youthful Dream finds Silkjær reshaping his DIY vocabulary and experimenting with a larger sonic palette, in ways that may make fans do a double take. Richer melodies, pianos, and even trumpets made their way into the recording sessions at Sound Studio in Sweden, where Silkjær, Frederik Nybo Veile (drums) and Tobias.......
more