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Chór Warszawskiego Uniwersytetu Medycznego / Daniel Synowiec
Pulchra quia simplex [limited]
CD: 12,56€

Erwin Schulhof
Bruckenbauer un die Neue Zeit
CD: 8,54€

Various
(Erased Tapes) - 1+1=X [RSD 2018]
winyl: 118,68€

ENNIO MORRICONE
Drammi Gotici [RSD 2018]
winyl: 28,48€

Charlemagne Palestine
Rrose
The Goldennn Meeenn + Sheeenn
CD: 9,23€

Novi Singers
Chopin [purple LP]
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Dizzy Divinity
CD: 3,56€

Bartek Wąsik
Daydreamer - Bartek Wąsik plays Radiohead
CD: 8,54€

Ligeti Quartet
Songbooks, Vol. 1
CD: 8,76€

Joseph Suchy
calabi.yau
CD: 10,44€
winyl: 13,03€
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Ben Lukas Boysen
Gravity

classical
Erased Tapes, 2016

total time: 41:42

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CD:13,53€
Out of stock
availability: up to a month ?
cat. no: ERATP084CD
format : CD
number of discs : 1
packaging : ecopack
vinyl:19,70€
Out of stock
availability: up to a month ?
format : 12"LP
number of discs : 1
 


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June 10th will see the release of ‘Spells’ – the new album by the latest addition to the Erased Tapes family: Berlin-based composer, producer and sound designer Ben Lukas Boysen.

‘Spells’ merges programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation. In some ways it continues where his underground debut ‘Gravity’ left off, though a lot of weight is lifted, making room for a lighter and more energetic listen. Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered both albums. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”.

His intricate, humanised programming – enhanced by drummer Achim Färber, cellist Anton Peisakhov and harpist Lara Somogyi, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths.

Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums. The first single, ‘Golden Times 1’, received a world premiere by BBC 6 Music’s Mary Anne Hobbs, proclaiming it as "incredible." An alternative version of ‘Sleepers Beat Theme’
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Reedycja pierwszego albumu Bena Lukasa Boysena "Gravity" - premiera 10.06.2016, Erased Tapes, równocześnie z premierą nowej płyty "Spells"

June 10th will see the release of ‘Spells’ – the new album by the latest addition to the Erased Tapes family: Berlin-based composer, producer and sound designer Ben Lukas Boysen.

‘Spells’ merges programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation. In some ways it continues where his underground debut ‘Gravity’ left off, though a lot of weight is lifted, making room for a lighter and more energetic listen. Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered both albums. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”.

His intricate, humanised programming – enhanced by drummer Achim Färber, cellist Anton Peisakhov and harpist Lara Somogyi, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths.

Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums. The first single, ‘Golden Times 1’, rece
.......
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Przepiękne
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rewelacja
Zeitkratzer/
plays PRES [Polish Radio Experimental Studio]
a to jest po prostu genialne

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