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Ghedalia Tazartes
Paweł Romańczuk
Andrzej Załęski
CARP'S HEAD

avantgarde
Monotype, 2016

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vinyl:15,52€
in stock
cat. no: MONOLP018
colour : black
download code : no
format : 12"LP+CD
number of discs : 2


no. title play mp3
1 Danse Inverse
2 You'll be Wise
3 Zither Song
4 Orient Calling
5 Wolves and Birds
6 Wild East Blues
7 Dobra Nasza
8 The Far Horizon
9 The End of Western World
bonus (CD only):
10 Wolves and Birds part 2


  let me know when samples will be available
  tell to your friend

 


https://soundcloud.com/monotyperec/ghedalia-tazartes-pawel-romanczuk-andrzej-zaleski-dobra-nasza

The newest record produced by the group of three – Ghedalia Tazartes, Paweł Romańczuk, and Andrzej Załęski – is the result of only a few meet ups and a shared passion for music that shapes their perspective. The long play was recorded at the Rogalów Analogowy studio in the eastern part of Poland. It’s worth noting that the space and surrounding countryside did not influence the sound itself as the record drifts away from the traditions of chamber music. The musicians, together as well as separately, avoid any mainstream influences. Thus, the acoustic record is peaceful, spiritual and presents a wide variety of notions and emotions. The diversified vocal articulation and tone of Tazartes intertwines well with Zaleski’s percussive play and Romańczuk’s multi-instrumental skills. The rhythmic pulsation is constantly taking new directions, eventually turning into noise at some point. The voice, somehow dramatic, traps the listeners and sends them on a journey through non-existent quasi-stories. Here we are, facing an elusive romantic magician personified by a carp-headed cat.

BIO:
French cult artist Ghédalia Tazartès is an uncompromising character who defies categorization. He recorded alone a dozen of albums, calling his way of working “Impromuz” for lack of a better term. Before the years 2000s, his public appearances remained exceptional events. Ghédalia Tazartès’ music has always been a mystery. It switches from musique concrète to – existing or invented – ethnic music, from poetry to noise, or from loops and collages to sad and extremely beautiful tunes in a second, but it constantly is in flux and coherent.

In 2004, Ghedalia finally decided to do live performances again. He first worked with other musicians (Les Reines d’Angleterre, David Fenech & Jac Berrocal, Norscq & Black Sifichi, Nicolas Lelièvre) and is now a solo performing artist (altho
.......
more

The newest record produced by the group of three – Ghedalia Tazartes, Paweł Romańczuk, and Andrzej Załęski – is the result of only a few meet ups and a shared passion for music that shapes their perspective. The long play was recorded at the Rogalów Analogowy studio in the eastern part of Poland. It’s worth noting that the space and surrounding countryside did not influence the sound itself as the record drifts away from the traditions of chamber music. The musicians, together as well as separately, avoid any mainstream influences. Thus, the acoustic record is peaceful, spiritual and presents a wide variety of notions and emotions. The diversified vocal articulation and tone of Tazartes intertwines well with Zaleski’s percussive play and Romańczuk’s multi-instrumental skills. The rhythmic pulsation is constantly taking new directions, eventually turning into noise at some point. The voice, somehow dramatic, traps the listeners and sends them on a journey through non-existent quasi-stories. Here we are, facing an elusive romantic magician personified by a carp-headed cat.

BIO:
French cult artist Ghédalia Tazartès is an uncompromising character who defies categorization. He recorded alone a dozen of albums, calling his way of working “Impromuz” for lack of a better term. Before the years 2000s, his public appearances remained exceptional events. Ghédalia Tazartès’ music has always been a mystery. It switches from musique concrète to – existing or invented – ethnic music, from poetry to noise, or from loops and collages to sad and extremely beautiful tunes in a second, but it constantly is in flux and coherent.

In 2004, Ghedalia finally decided to do live performances again. He first worked with other musicians (Les Reines d’Angleterre, David Fenech & Jac Berrocal, Norscq & Black Sifichi, Nicolas Lelièvre) and is now a solo performing artist (altho
.......
more


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