ENDE VOM LIED* is a genre-spanning collection of punk, post-punk and avant-garde bands from the former East Germany, chronicling the work of free spirits pitted against government restraints and implied genre limitations. The underground scene in the GDR was a hydra, a noisy mix of musicians, poets, pain¬ters, photographers, filmmakers, punks and freaks. In the immediate aftermath of the primal scream that was punk, music often bred with poetry or painting in short-lived liaisons or enduring collaborations to produce a new generation of genre bastards. With the lines blurring between forms, a search for new shapes began. In the German Democratic Republic, this search constituted a tightrope walk, a dance for expression between subculture and a dictatorship.

*In German, ENDE VOM LIED literally translates to “The end of the song”, but is more commonly understood as a saying roughly meaning “The upshot”, “The end of the story” or simply “The end”.

ENDE VOM LIED* is a genre-spanning collection of punk, post-punk and avant-garde bands from the former East Germany, chronicling the work of free spirits pitted against government restraints and implied genre limitations. The underground scene in the GDR was a hydra, a noisy mix of musicians, poets, pain¬ters, photographers, filmmakers, punks and freaks. In the immediate aftermath of the primal scream that was punk, music often bred with poetry or painting in short-lived liaisons or enduring collaborations to produce a new generation of genre bastards. With the lines blurring between forms, a search for new shapes began. In the German Democratic Republic, this search constituted a tightrope walk, a dance for expression between subculture and a dictatorship.

*In German, ENDE VOM LIED literally translates to “The end of the song”, but is more commonly understood as a saying roughly meaning “The upshot”, “The end of the story” or simply “The end”.