https://youtu.be/u0_bC2b9OAQ

Leoš Janáček used to scribble notes and record the speech melodies that he heard everywhere around him...

He did not care much about the possibilities enabled by the discovery of the mechanical recording technology of Edison or Bell, but preferred to write by hand for later use. The last element is a hypothesis because we could also assume that he used to scribble in order to get the melodies out of his head and enclose them in a sealed form that will not come back from beyond the grave to further haunt him.

Bosetti instead of trying to find melodies from notebooks in Janáček’s compositions he set out to perform a bodily experience of re-synchronization with the sounds long gone, and noted with the use of deficient but personal technology. The rhythm gets redoubled and the eerie effect of a personality split is re-performed. The bold decision to get himself infected with all the pain of the process of building of personality of Czech composer brought Bosetti to a point where he himself just like Schwitters recites the meaningful (or meaningless) fragments of another reality.

Leoš Janáček used to scribble notes and record the speech melodies that he heard everywhere around him...

He did not care much about the possibilities enabled by the discovery of the mechanical recording technology of Edison or Bell, but preferred to write by hand for later use. The last element is a hypothesis because we could also assume that he used to scribble in order to get the melodies out of his head and enclose them in a sealed form that will not come back from beyond the grave to further haunt him.

Bosetti instead of trying to find melodies from notebooks in Janáček’s compositions he set out to perform a bodily experience of re-synchronization with the sounds long gone, and noted with the use of deficient but personal technology. The rhythm gets redoubled and the eerie effect of a personality split is re-performed. The bold decision to get himself infected with all the pain of the process of building of personality of Czech composer brought Bosetti to a point where he himself just like Schwitters recites the meaningful (or meaningless) fragments of another reality.