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Barry Altschul
the 3Dom Factor
Live in Kraków

jazz/impro
Not Two, 2017

total time: 52:01

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CD:10,76€
in stock
cat. no: MW 960-2
EAN: 5906395187201
format : CD
number of discs : 1
packaging : ecopack
FLAC file:7,18€
+ booklet : front cover jpg only
 
mp3 file:5,98€
bitrate : 320 kb/s


no. title play mp3
1 Martin's Stew 11:46 1,44€
2 Ask Me Now 7:28 1,44€
3 For Papa Joe, Klook, and Philly Too 10:20 1,44€
4 Irina 8:31 1,44€
5 The 3Dom Factor 13:56 1,44€


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Recorded at Alchemia club in Krakow, Poland during December of 2016, this is the third album for drummer Barry Altschul's 3dom Factor, and he is once again in the company of Jon Irabagon on tenor and sopranino saxophone and Joe Fonda on bass. The music is a very strong series of collective improvisations and these veteran musicians make the most of the open ended setting and the friendly and supportive audience. Irabagon is a powerhouse saxophone player, and he provides gales of sound along with Fonda's thick bass, meeting Altschul's deeply rhythmic drumming. "Martin's Stew" opens with a solo percussion feature, with the leader developing a diverse range of textures and rhythms. Irabagon glides in with a complex freebop approach that matches the percussionist very well. They move into a powerful collective improvisation that is impassioned and very fast paced. The music barrels forward relentlessly, before calming and offering a fine bowed bass feature. The shimmering drum work suits the edgy bowing perfectly. The saxophonist rejoins and draws squiggles of sound against the pummeling background. The Monk standard "Ask Me Now" gives the group ample ammunition for a raw and gritty performance. The music is more spacious and probing, hinting at the melody. Subtle saxophone and percussion frame another great bass solo, making for a more relaxed and understated conversation. "For Papa Joe, Klook and Philly" honors three great drummers from jazz history with some explosive percussion from Altschul and tight bass and saxophone in firm support. The group performance is very impressive with a muscular flexing rhythm and driving fast paced improvisation. After another strong bass solo, the focus shifts to dynamic exchanges of raw energy between the drums and saxophone, loud and thrilling, driving to the finish line. There is a subtle and gentle touch to "Irina" developing as a yearning ballad. Bass and brushes intersect and then are rejoined by Irabagon's high pitched soprani.......
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Recorded at Alchemia club in Krakow, Poland during December of 2016, this is the third album for drummer Barry Altschul's 3dom Factor, and he is once again in the company of Jon Irabagon on tenor and sopranino saxophone and Joe Fonda on bass. The music is a very strong series of collective improvisations and these veteran musicians make the most of the open ended setting and the friendly and supportive audience. Irabagon is a powerhouse saxophone player, and he provides gales of sound along with Fonda's thick bass, meeting Altschul's deeply rhythmic drumming. "Martin's Stew" opens with a solo percussion feature, with the leader developing a diverse range of textures and rhythms. Irabagon glides in with a complex freebop approach that matches the percussionist very well. They move into a powerful collective improvisation that is impassioned and very fast paced. The music barrels forward relentlessly, before calming and offering a fine bowed bass feature. The shimmering drum work suits the edgy bowing perfectly. The saxophonist rejoins and draws squiggles of sound against the pummeling background. The Monk standard "Ask Me Now" gives the group ample ammunition for a raw and gritty performance. The music is more spacious and probing, hinting at the melody. Subtle saxophone and percussion frame another great bass solo, making for a more relaxed and understated conversation. "For Papa Joe, Klook and Philly" honors three great drummers from jazz history with some explosive percussion from Altschul and tight bass and saxophone in firm support. The group performance is very impressive with a muscular flexing rhythm and driving fast paced improvisation. After another strong bass solo, the focus shifts to dynamic exchanges of raw energy between the drums and saxophone, loud and thrilling, driving to the finish line. There is a subtle and gentle touch to "Irina" developing as a yearning ballad. Bass and brushes intersect and then are rejoined by Irabagon's high pitched soprani.......
more


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