1/1 is the soundtrack to Jeremy Phillips’ directorial debut, due to be released 17 July 2018. Starring Lindsey Shaw (Pretty Little Liars), Judd Nelson (Breakfast Club, St Elmo’s Fire) and Dendrie Taylor (Star Trek Generations, Twins), the film submerges the viewer into the mind of Lissa, a 20-year-old girl in rural Pennsylvania and her struggles with sex, drugs, love and loss. Liars have created an electronic soundtrack that reflects the film’s use of mixed media abstractions and multi-film formats, which undoubtedly stands up as an album in its own right.
Created soon after Liars’ 2014 album Mess, these are the last recordings by Angus Andrew and Aaron Hemphill before Hemphill amicably left the band. In 2017 Angus Andrew released TFCF, Liars’ eighth studio album and Aaron Hemphill has just released Nonpareils’ Scented Pictures, his debut solo album – both albums are out on Mute, Andrew and Hemphill’s label since Liars’ debut, They Threw Us All In A Trench And Stuck A Monument On Top.
Angus Andrew and Aaron Hemphill were given the script for 1/1 and, after reading it on a flight from LA to NY, immediately decided to take it on. “It was very heavy, it was very intense and by the time we got to New York, we’d read it. At that point, we hadn’t seen anything but we were on board just from reading the script.” explains Angus.
Soon after, Liars rented a space in Copenhagen and started work on the film’s soundtrack. The director, who up until that point had been using temp music to mark out where the score would go, gave the band descriptions for each of the cues. Instead of giving musical direction, he gave them emotional and descriptive language to describe what he wanted, such as “imagine you have a 100 piece puzzle, but you have 1000 pieces - what would that sound like” or “the character is submerged in water at 4am&....... more
1/1 is the soundtrack to Jeremy Phillips’ directorial debut, due to be released 17 July 2018. Starring Lindsey Shaw (Pretty Little Liars), Judd Nelson (Breakfast Club, St Elmo’s Fire) and Dendrie Taylor (Star Trek Generations, Twins), the film submerges the viewer into the mind of Lissa, a 20-year-old girl in rural Pennsylvania and her struggles with sex, drugs, love and loss. Liars have created an electronic soundtrack that reflects the film’s use of mixed media abstractions and multi-film formats, which undoubtedly stands up as an album in its own right.
Created soon after Liars’ 2014 album Mess, these are the last recordings by Angus Andrew and Aaron Hemphill before Hemphill amicably left the band. In 2017 Angus Andrew released TFCF, Liars’ eighth studio album and Aaron Hemphill has just released Nonpareils’ Scented Pictures, his debut solo album – both albums are out on Mute, Andrew and Hemphill’s label since Liars’ debut, They Threw Us All In A Trench And Stuck A Monument On Top.
Angus Andrew and Aaron Hemphill were given the script for 1/1 and, after reading it on a flight from LA to NY, immediately decided to take it on. “It was very heavy, it was very intense and by the time we got to New York, we’d read it. At that point, we hadn’t seen anything but we were on board just from reading the script.” explains Angus.
Soon after, Liars rented a space in Copenhagen and started work on the film’s soundtrack. The director, who up until that point had been using temp music to mark out where the score would go, gave the band descriptions for each of the cues. Instead of giving musical direction, he gave them emotional and descriptive language to describe what he wanted, such as “imagine you have a 100 piece puzzle, but you have 1000 pieces - what would that sound like” or “the character is submerged in water at 4am&....... more
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