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Pauline Oliveros
Early Electronic Works 1959-66

electronic/ avantgarde/ classical
Sub Rosa, 2018

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vinyl:26,31€
availability:
about a month
cat. no: SRV460
EAN: 5411867334606
colour : silver
download code : no
format : 2x12"LP
number of discs : 2
packaging : singlefold
Weight: 0.5 kg


no. title play mp3
  side 1
1 Mnemonics III 1965 17:20
side 2
1 V of IV 1966 14:34
side 3
1 Time Perspectives 1959 19:19
side 4
1 Once Again/Buchla Piece 1966 19:19
  https://www.subrosa.net/library/music/01-mnemonics-iii-mp3.mp3
https://www.subrosa.net/library/music/02-v-of-iv-1.mp3


  let me know when samples will be available
  tell to your friend

 

Strictly limited edition of 400 copies silver vinyl
No reprint

Rare tracks for this strictly limited edition on silver vinyl. There gonna be no reprint, even in black vinyl !

Pauline Oliveros is more than ever an important American composer. Born in Houston, Texas on May 30, 1932, the music she produces today is close to the breath of life, with, notably, her pieces for accordion played by herself, the creation of the Deep Listening Center, her approach to improvisation, and her numerous and varied collaborations with, among others, John Cage, Morton Subotnick, Terry Riley, Sonic Youth, Erold, and Andrew Deutsch...
What we wish to show here, is her early and definitive contribution to the tape and electronic music of the late fifties and sixties - her systematic exploration of electronic sounds, which was fundamental to this period.

My work with electronic music began in 1959. My first tape piece was an ambitious four channel work called Time Perspectives. The piece was made by recording small sounds from objects resonated on a wooden wall and changing the tape speed. I used cardboard tubes as filters by inserting the mic into the tube and recording sources through the tubes. I used my bath tub as a reverberation chamber.
(notes on composition by Pauline Oliveros)

Strictly limited edition of 400 copies silver vinyl
No reprint

Rare tracks for this strictly limited edition on silver vinyl. There gonna be no reprint, even in black vinyl !

Pauline Oliveros is more than ever an important American composer. Born in Houston, Texas on May 30, 1932, the music she produces today is close to the breath of life, with, notably, her pieces for accordion played by herself, the creation of the Deep Listening Center, her approach to improvisation, and her numerous and varied collaborations with, among others, John Cage, Morton Subotnick, Terry Riley, Sonic Youth, Erold, and Andrew Deutsch...
What we wish to show here, is her early and definitive contribution to the tape and electronic music of the late fifties and sixties - her systematic exploration of electronic sounds, which was fundamental to this period.

My work with electronic music began in 1959. My first tape piece was an ambitious four channel work called Time Perspectives. The piece was made by recording small sounds from objects resonated on a wooden wall and changing the tape speed. I used cardboard tubes as filters by inserting the mic into the tube and recording sources through the tubes. I used my bath tub as a reverberation chamber.
(notes on composition by Pauline Oliveros)


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