Linval Thompson was one of the first reggae singers of his era to move into self-production, he was known initially as a roots and culture artist, recording for various producers including Bunny "Striker" Lee before initiating his own studio sessions in 1978. In 1979, he mentored Henry "Junjo" Lawes as a producer, who in turn would become one of the most successful producers of the early 1980s, eclipsing Thompson in terms of output.

Re-issue of the album from 1982, recorded at Channel One & Harry J Studios with the Roots Radics and mixed at Channel One by Soldgie Hamilton!- "Look How Me Sexy" features nine Linval Thompson productions while the hit title track, produced by Henry "Junjo" Lawes, features one of the top reggae riddims of its time ("I'm Not Getting Crazy"), which is most known by Frankie Paul's "Worries In The Dance". While most of the album's ten tracks fit the lovers rock style of the era, it also includes the brooding "I Spy", with the riddim that was also used for Eek-A-Mouse's "Do You Remember". Furthermore dubbed out versions exsist of "Are You Ready", "Call Me", "Things Couldn't Be The Same" and "Holding On To My Girlfriend", all mixed by Scientist and released in the Greensleeves Dub Classic series.

Jako jeden z pierwszych piosenkarzy reggae w swojej epoce zaczął sam produkować swoje albumy. Linval Thompson był początkowo znany jako roots reggae, nagrywając dla różnych producentów, w tym Bunny'ego 'Strikera' Lee, przed rozpoczęciem własnych sesji studyjnych w 1978 roku.
W 1979 roku był mentorem Henry'ego "Junjo" Lawesa jako producenta, który z kolei stał się jednym z najbardziej rozchwytywanych producentów lat 80.


Płyta z 1982 r. zawiera dziewięć produkcji Linvala Thompsona, a utwór tytułowy, wyprodukowany przez Lawesa, jest jednym z najlepszych ridgimów reggae swoich czasów.

Re-issue of the album from 1982, recorded at Channel One & Harry J Studios with the Roots Radics and mixed at Channel One by Soldgie Hamilton!- "Look How Me Sexy" features nine Linval Thompson productions while the hit title track, produced by Henry "Junjo" Lawes, features one of the top reggae riddims of its time ("I'm Not Getting Crazy"), which is most known by Frankie Paul's "Worries In The Dance". While most of the album's ten tracks fit the lovers rock style of the era, it also includes the brooding "I Spy", with the riddim that was also used for Eek-A-Mouse's "Do You Remember". Furthermore dubbed out versions exsist of "Are You Ready", "Call Me", "Things Couldn't Be The Same" and "Holding On To My Girlfriend", all mixed by Scientist and released in the Greensleeves Dub Classic series.