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Gaye Su Akyol
Istikrarlı Hayal Hakikattir

rock
Glitterbeat, 2018

total time: 43:02

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CD:14,24€
Out of stock
availability: up to a month ?
cat. no: GBCD062
format : CD
number of discs : 1
packaging : ecopack
vinyl:21,84€
Out of stock
availability: up to a month ?
cat. no: GPLP62
EAN: 4030433606216
colour : black
download code : yes
format : 12"LP
number of discs : 1
weight : 180 gramm
 


no. title play mp3
1 İstikrarlı Hayal Hakikattir 05:22
2 Bağrımızda Taş 03:59
3 Laziko 04:07
4 Gölgenle Bir Başıma 05:09
5 Meftunum Sana 04:18
6 Şahmeran 03:53
7 Bir Yaralı Kuştum 05:14
8 Hemşerim Memleket Nire 04:50
9 Boşluk Ve Sonsuzluk 01:41
10 Halimiz İtten Beter 04:23


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With the release of her first international album “Hologram Ĭmparatorluğu” (2016), Gaye Su Akyol established herself as one of Turkey’s most compelling young voices and most exhilarating sonic explorers. Her work as a singer-songwriter, producer and audio/visual conceptualist, simultaneously navigates the storied past, the hyper-connected present and the unscripted future.

Growing up in cosmopolitan Istanbul listening to Anatolian music icon Selda Bağcan and Kurt Cobain in equal measure, Akyol skipped right over the tired Oriental/Occidental paradigmatic clichés. Gaye’s music was global in concept and local in spirit and nuance right from the very beginning.

Following the widespread critical acclaim for “Hologram Ĭmparatorluğu” Gaye and her sublime band spent 18 months travelling up and down Turkey, Europe and the Middle and Far East sharing with audiences a vibrant mix of raki laced traditional balladry, futurist surf and post-punk opposition. The new album, produced by her and guitarist Ali Güçlü Şimşek, is arguably more immediate and visceral than the first two, reflecting her and the band’s growing reputation as a powerful live act.

“Istikrarlı Hayal Hakikattir,” which translates as “Consistent Fantasy is Reality,” is a deeply poetic album; an album of personalized politics, an album that digs into the heart our contentious, inexplicable contemporary experience. Never blinking. Always dreaming. Never giving in. Never giving up.

Play that song, play the vinyl, Let the storm turn around.
Istikrarlı Hayal Hakikattir (Consistent Fantasy Is Reality): An artist statement

“Consistent Fantasy is Reality” is the third album in my discography. Just like the previous two it is a completely independent and liberated album that embraces a “DIY̶
.......
more

With the release of her first international album “Hologram Ĭmparatorluğu” (2016), Gaye Su Akyol established herself as one of Turkey’s most compelling young voices and most exhilarating sonic explorers. Her work as a singer-songwriter, producer and audio/visual conceptualist, simultaneously navigates the storied past, the hyper-connected present and the unscripted future.

Growing up in cosmopolitan Istanbul listening to Anatolian music icon Selda Bağcan and Kurt Cobain in equal measure, Akyol skipped right over the tired Oriental/Occidental paradigmatic clichés. Gaye’s music was global in concept and local in spirit and nuance right from the very beginning.

Following the widespread critical acclaim for “Hologram Ĭmparatorluğu” Gaye and her sublime band spent 18 months travelling up and down Turkey, Europe and the Middle and Far East sharing with audiences a vibrant mix of raki laced traditional balladry, futurist surf and post-punk opposition. The new album, produced by her and guitarist Ali Güçlü Şimşek, is arguably more immediate and visceral than the first two, reflecting her and the band’s growing reputation as a powerful live act.

“Istikrarlı Hayal Hakikattir,” which translates as “Consistent Fantasy is Reality,” is a deeply poetic album; an album of personalized politics, an album that digs into the heart our contentious, inexplicable contemporary experience. Never blinking. Always dreaming. Never giving in. Never giving up.

Play that song, play the vinyl, Let the storm turn around.
Istikrarlı Hayal Hakikattir (Consistent Fantasy Is Reality): An artist statement

“Consistent Fantasy is Reality” is the third album in my discography. Just like the previous two it is a completely independent and liberated album that embraces a “DIY̶
.......
more

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