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OOZING WOUND
High Anxiety

metal
Thrill Jockey, 2019

aver. mark: -    mark it!

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CD:13,16€
Out of stock
availability: about a week ?
cat. no: THRILL473CD
EAN: 790377047325
format : CD
number of discs : 1
packaging : digipack
vinyl:20,57€
Out of stock
availability: about a week ?
cat. no: THRILL473LP
EAN: 790377047318
format : 12"LP
number of discs : 1
packaging : singlefold
 


no. title play mp3
1 Surrounded By Fucking Idiots
2 Filth Chisel
3 Tween Shitbag 03:39
4 Die On Mars
5 Birth of a Flat Earther
6 Riding the Universe
7 Vein Ripper


  let me know when samples will be available
  tell to your friend

 


https://youtu.be/G_cVeG_QSOM

Oozing Wound emerged from the underground noise warehouse scene. They were not only active in bands on the scene, but Kyle‘s own Rotted Tooth Recordings was home to many of its most successful artists (a pre-curser to Chicago labels like Hausu Mountain). Kevin lives in and runs an essential and legendary space, “Situations,” home of the city’s most adventurous shows and a mainstay for many touring bands to play in Chicago. It was through this and their screen-printing activities that they connected with noise pioneers like Lightning Bolt. Oozing Wound came to be on Thrill Jockey after sharing a bill with Brian Chippendale’s Black Pus.

Three records later, High Anxiety finds Oozing Wound’s songs have become more complex, their attacks more ferocious, and bass and guitar lines more captivating. The album was recorded in four days at Steve Albini’s Electrical Audio studio. The trio ripped through live-tracking and overdubs, leaving space to experiment with new sounds and effects. The band, having an affinity for the complexities of prog music, managed to bring prog elements to High Anxiety without sacrificing any of their songs punch. Subtle layers of saxophone, flutes and synths were blended into guitar tones, adding depth and texture without cluttering arrangements. Fist-pumping blasts of white-hot riffing become a Trojan horse for sonic weirdness. The resulting recordings are at once some of their most sonically rich, immediate, and impactful.

Opener “Surrounded by Fucking Idiots” sets the sonic and lyrical pace. Breakneck guitars gallop forward as Weil lays out an equally venomous stab at the clientele at the famed Empty Bottle club where he works. “Tween Shitbag” seethes with rage at music industry players that trade on and commodify subculture. “Birth of a Flat Earther” cycles through an elliptical churning groove, the perceived infinite loop itself a metap
.......
more

Oozing Wound emerged from the underground noise warehouse scene. They were not only active in bands on the scene, but Kyle‘s own Rotted Tooth Recordings was home to many of its most successful artists (a pre-curser to Chicago labels like Hausu Mountain). Kevin lives in and runs an essential and legendary space, “Situations,” home of the city’s most adventurous shows and a mainstay for many touring bands to play in Chicago. It was through this and their screen-printing activities that they connected with noise pioneers like Lightning Bolt. Oozing Wound came to be on Thrill Jockey after sharing a bill with Brian Chippendale’s Black Pus.

Three records later, High Anxiety finds Oozing Wound’s songs have become more complex, their attacks more ferocious, and bass and guitar lines more captivating. The album was recorded in four days at Steve Albini’s Electrical Audio studio. The trio ripped through live-tracking and overdubs, leaving space to experiment with new sounds and effects. The band, having an affinity for the complexities of prog music, managed to bring prog elements to High Anxiety without sacrificing any of their songs punch. Subtle layers of saxophone, flutes and synths were blended into guitar tones, adding depth and texture without cluttering arrangements. Fist-pumping blasts of white-hot riffing become a Trojan horse for sonic weirdness. The resulting recordings are at once some of their most sonically rich, immediate, and impactful.

Opener “Surrounded by Fucking Idiots” sets the sonic and lyrical pace. Breakneck guitars gallop forward as Weil lays out an equally venomous stab at the clientele at the famed Empty Bottle club where he works. “Tween Shitbag” seethes with rage at music industry players that trade on and commodify subculture. “Birth of a Flat Earther” cycles through an elliptical churning groove, the perceived infinite loop itself a metap
.......
more


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