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proMODERN Contemporary Vocal Sextet
Musiquette B: Stockhausen: Stimmung
Composer: Karlheinz Stockhausen

avantgarde/ classical
Bo速, 2019

total time: 72:59

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CD:9,81€
in stock
cat. no: BR1057
format : CD
number of discs : 1
packaging : ecopack


no. title play mp3
1 Warming Up, Leading To Model 1, Bass
2 Mezzo. "Gott Nochmal" / Soprano 2 GROGORAGALLY, Sun God (Australian Aboriginal)
3 Soprano 2. "Vishnu / Baritone, ELYON, God Of Storms (Hebrew)
4 Soprano 1 / Tenor, USI-AFU, God Of The Earth (Timor, Indonesia)
5 Baritone, "Saturday", "Saturnstag", "Samstag", "Complement Nous" / Tenor, CHANG TI, Director Of The Cosmos (Chinese Buddhist)
6 Tenor
7 Baritone, "Hallelujah"
8 Soprano 1. / Mezzo, UEUETEOTL, God Of Fire (Aztec)
9 Bass. "Phoenix" / Tenor, USI-NENO, Sun God (Timor, Indonesia)
10 Soprano 1. "Komit" (Like Screech Owls)
11 Bass. "Moo", "Moo-coo" (Like Cows), "Guru" (A Dove). / Baritone, AHURA-MAZDA God Of Wisdom (Persian)
12 Tenor
13 Baritone. / Soprano 2, ABASSI-ABUMO, Creator Of Heaven (Ibi, Africa)
14 Soprano 2. "Hippy". / Mezzo CHALCHIHUITLICUE, Goddess Of The Sea And Salt Water (Aztec)
15 Mezzo. / Soprano 2 WAKANTANKA, God Of Thunder (Sioux Indian)
16 Bass.
17 Soprano 1. "The Male Is Basically An Anymale"
18 Tenor.
19 Bass. "Sontag", "Sunday" / Soprano 1, DIONYSOS, God Of Fertility And Wine (Greek)
20 Soprano 2.
21 Baritone.
22 Mezzo.
23 Baritone.
24 Soprano 2. / Soprano 1, VENUS, Goddess Of Love (Roman)
25 Mezzo. "Wotansday, "Mittwoch", "We(d)nesday" / Baritone YAH-WEH, God Of Israel (Hebrew)
26 Soprano 1. "Tuesday" / Mezzo QUETZALCOATL, God Of gods (Aztec)
27 Tenor.
28 Bass. / Soprano 2 MUNGANAGANA, God Of Wind (Australian Aboriginal)
29 Baritone. / Mezzo. TLALOC God Of Rain (Aztec)
30 Soprano 1.
31 Mezzo.
32 Baritone.
33 Soprano 2. "Friday", "Freitag" / Baritone OSIRIS, God Of Fertility And Death (Egyptian) / Tenor ALLAH, Almighty Creator (Islamic) / Soprano 1. RHEA Mother Of Zeus (Ancient Greek)
34 Soprano 1. "Niemals" / Tenor VISHNU The Bringer Of Good (Hindu)
35 Bass. "Sehr Hell", "Helena" / Soprano 1 GAIA Goddess Of The Earth (Ancient Greek)
36 Tenor. / Mezzo TETEOINNAN, Mother Of The Gods (Aztec)
37 Mezzo. / Soprano 2, SUSSISTINAKO God Of Heaven (Sia, American Indian)
38 Soprano 1. "Salemaleikum", "Salami-e", "Come-On" / Bass RANGI God Of Heaven (Maori, Polynesia)
39 Mezzo. "Moonsday". / Baritone. ATUM-RA, Goddess Of The Sun (Ancient Egyptian)
40 Baritone.
41 Bass. "Thorstag", "Thursday", "Donnerstag"; "Freitag Samstag Sonntag Montag Dienstag Mittwoch Donnerstag". / Soprano 2 YADILQIL, Heaven-Man (Navajo, American Indian)
42 Baritone. "Nemesis", "Artemis". / Tenor VARUNA God Of Wisdom (Hindu)
43 Tenor. Neighing (Like A Horse)
44 Bass.
45 Soprano 2.
46 Tenor. / Soprano 1 CHRONOS God Of Time (Ancient Greek) / Mezzo, CHICOMECOATL God Of Food (Aztec)
47 Soprano 1. / Tenor BUDDHA The Enlightened One (Buddhist)
48 Mezzo. "Maria" / Bass TANGAROA, Sun God (Maori, Polynesia)
49 Tenor.
50 Soprano 2.
51 Tenor.


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https://youtu.be/CSLNi1LU-H0

Stockhausen composed Stimmung in 1968 at home with two small children in the adjacent room—decided to “communicate” with his surroundings in an unusual way. The composition was written for six vocalists and required a special vocal technique (overtone singing) as well as total unification. The author prepared a precise “instruction manual.” Each artist could choose from eight (women) or nine (men) rhythmic vocal models and from cards of magical names of deities from different cultures (to juggle them freely). All this to create a sequence of fluid 51 formulas (sections), each lead by a different vocalist serving as a guide—the coryphaeus. The composer joked that he “wrote a 75-minute piece based on one B-flat ninth chord.” In practice, this B sound (which is continuously renewed) shimmers, thanks to aliquots, with changing tone, contrasts, intensity. It pulls into a trance and overwhelms. “Stimmung is certainly meditative music. Time is suspended”—Stockhausen commented. “One listens to the interior of the sound, to the interior of the harmonic spectrum, to the interior of the vowel, to the interior.” Despite the piece’s specific vocal technique, acoustic aura and peculiar philosophy, “entering” Stimmung is not an arduous process. What is important is the declaration of co-participation of joint experiencing, sensing, cleansing. Of listening to oneself and to one’s surroundings. Of inner and outer harmony. Complete freedom.

Stockhausen - komponuj帷y w domu, z dwojgiem malutkich dzieci za 軼ian - postanowi „skomunikowa” si z otoczeniem w nietypowy spos鏏. Utw鏎 napisany dla sze軼iorga 酥iewak闚 wymaga od nich specjalnej techniki wokalnej (alikwotowej) oraz ca趾owitego zjednoczenia. Autor zostawi dok豉dn „instrukcj obs逝gi”. Ka盥y artysta ma do dyspozycji: osiem (panie) lub dziewi耩 (panowie) rytmicznych modeli wokalnych oraz karty magicznych imion b鏀tw pochodz帷ych z r騜nych kultur (do swobodnego 穎nglowania). Wszystko po to, by stworzy ci庵 p造nnych 51 formu, czyli przeprowadze, w kt鏎ych za ka盥ym razem inny 酥iewak pe軟i rol przewodnika - koryfeusza. „Napisa貫m 75-minutowy utw鏎 oparty na jednym nonowym akordzie B-dur” – mia 瘸rtowa kompozytor. W istocie 闚 d德i瘯 B (za ka盥ym razem odnajdywany na nowo) mieni si - za spraw alikwot闚 - zmienn barw, kontrastami, nat篹eniem. Wci庵a w trans, obezw豉dnia. „Stimmung jest na pewno muzyk medytacyjn. Czas jest zniesiony” – komentowa Stockhausen. - „Ws逝chujemy si we wn皻rze d德i瘯u, we wn皻rze widma harmonicznego, we wn皻rze samog這ski, we wn皻rze”. Pomimo specyficznej techniki wokalnej, aury akustycznej i swoistej filozofii - „wej軼ie” w Stimmung nie jest procesem karko這mnym. Wa積a jest deklaracja wsp馧uczestniczenia - wsp鏊nego prze篡wania, odczuwania, oczyszczenia. Ws逝chiwanie si w siebie i w otoczenie. Harmonia wewn皻rzna i zewn皻rza. Pe軟a wolno嗆.



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