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mikroPULS
mikroPULS

jazz/impro
Intuition, 2019

total time: 40:47

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CD:14,72€
in stock
cat. no: INT34482
EAN: 0750447344822
format : CD
number of discs : 1
packaging : digipack


no. title play mp3
1 Flutist with Hat and Shoe 7:19
2 Enge Bewegung 6:33
3 F.J.D. 5:34
4 Head Quarter 4:14
5 Ankunft 3:18
6 Human Body Upgrade 4:48
7 Tanz der Mikroben 5:45
8 Zeit Lupe 7:16


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https://youtu.be/n64ctI5OnSc
https://youtu.be/wX3n1KbpZ1A

muzycy:
Eric Schaefer - Drums
Gebhard Ullmann - Tenor Saxophone
Hans Lüdemann - Piano
Oliver Potratz - Double bass

Editor's info:
Every one of us lives with a tonal system in our head. The diatonic-chromatic- enharmonic system that has long dominated Western music was codified at an early stage through the use of notation. Later, around the beginning of the 17th century, major/minor tonality superseded the old church modes and has influ- enced our perceptions of harmony ever since. These perceptions are, however, constantly evolving. When blues, jazz, and other forms of African-American music brought the first “blue notes” to Europe in the early 20th century, they created quite a stir, because neither their pitch nor their harmonic function fit into the conventional tonal system. Our musical sensibilities are nonetheless learned, not innate. Even if we do not understand music theory, we feel the way the dominant resolves to the tonic; we sense whether chords are more conso- nant or dissonant. We find our ability to remember melodies that conform to our tonal system self-evident, but are astonished when people from other cultures do the same with their own music. An example would be the melodies with “notes in between” in Arabic music, where for centuries the octave has been divided into more than our usual 12 half steps, with additional quarter-tone, three-quarter-tone, and five-quarter-tone intervals.

About the artist
mikroPULS lets us participate in an excursion by these four musicians into unknown territory. Ullmann, Lu¨demann, Potratz, and Schaefer are our excellent Sherpa guides on this journey, enabling us to experience new sounds and types of listening without losing our way. Their music opens our ears and confronts us with our own preconceptions. But once again: quarter tones for their own sake are not the point of the exercise. The goal of these musicians is to feel so at home with their expanded musical vocabulary that the resulting music sounds completely organic and self-evident.

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