Wolf Parade address this phenomenon head-on with Thin Mind, the band’s 5th full-length and second to be produced by John Goodmanson (Bikini Kill, Sleater-Kinney, Unwound).
“Thin Mind refers to the way that being around too much tech has made our focus thin,” says keyboardist Spencer Krug.
“It’s opening one more page, scrolling one more thing,” adds guitarist Dan Boeckner, “and the weird, sort-of hollow automaton feeling that you get from it.”
“This record is very personal, but at the same time, we’re all coming from the same place of a general sense of anxiety,” says drummer Arlen Thompson. “How do you deal with the constant barrage of having your opinions swayed by all these different actors when you don’t know who they are or what their purpose is? There is no normal anymore.”
Thin Mind marks a return to the original power trio of Dan, Spencer, and Arlen, following multi-instrumentalist Dante DeCaro’s amicable departure from the group in 2018, after the conclusion of their world tour supporting Cry Cry Cry.
One month later, the trio got together at Risqué Disque, an old stone barn-turned-studio in the woods of Vancouver Island, to begin writing Thin Mind—emerging with an album about making sense of the present while reckoning with visions of the future.
“It’s the first record where we did the whole thing in one place from start to end,” says Arlen. “It was just the three of us until John came in, woodshedding in this moss-covered, rotting building.”
Paradoxically, the band’s decision to forge a future-forward sound using a myriad of synthesizers—from ‘80s synths and ‘90s MiDi to more modern, kitchen sink instruments—recalls the sonics of Wolf Parade’s earliest EPs.
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