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Les Voix Humaines
Le Monde de Sainte-Colombe

classical
Atma, 2020

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1 Jean de Sainte-Colombe: II. Le changé (Ouverture) le changé 5:06
2 Jean de Sainte-Colombe: II. Le changé Sarabande La suivie 1:34
3 Jean de Sainte-Colombe: II. Le changé (Ouverture) Le tendre 1:33
4 Jean de Sainte-Colombe: II. Le changé Sarabande du tendre 2:32
5 Jean de Sainte-Colombe: II. Le changé Gavote La ferme 0:38
6 Jean de Sainte-Colombe: II. Le changé Menuet du tendre 1:06
7 Jean de Sainte-Colombe: X. Les Couplets (Chaconne) Les couplets 6:16
8 Jean de Sainte-Colombe: X. Les Couplets Bergeronnette preste 0:45
9 Jean de Sainte-Colombe: XXVII La Bourrasque Ouverture 1:34
10 Jean de Sainte-Colombe: XXVII La Bourrasque Balet 0:59
11 Jean de Sainte-Colombe: XXVII La Bourrasque Sarabande 1:04
12 Jean de Sainte-Colombe: XXVII La Bourrasque Gavote 0:40
13 Jean de Sainte-Colombe: XXVII La Bourrasque 2e Sarabande gaye 0:57
14 Jean de Sainte-Colombe: XXXVI L'attentif Ouverture 3:54
15 Jean de Sainte-Colombe: XXXVI L'attentif Gavote 0:42
16 Jean de Sainte-Colombe: XLI. Le retour Ouverture 3:15
17 Jean de Sainte-Colombe: XLI. Le retour en gigue — en menuet 1:13
18 Jean de Sainte-Colombe: XLI. Le retour en gigue — en courante 0:50
19 Jean de Sainte-Colombe: XLI. Le retour balet tendre — en pianelle 2:52
20 Jean de Sainte-Colombe: XLIV. Tombeau des regrets Tombeau Les Regrets 1:29
21 Jean de Sainte-Colombe: XLIV. Tombeau des regrets Quarrillon 1:08
22 Jean de Sainte-Colombe: XLIV. Tombeau des regrets Apel de Charon 0:27
23 Jean de Sainte-Colombe: XLIV. Tombeau des regrets Les pleurs 2:05
24 Jean de Sainte-Colombe: XLIV. Tombeau des regrets Joye des Elizées 1:16
25 Jean de Sainte-Colombe: XLIV. Tombeau des regrets Reprise: Les pleurs 2:25
26 Jean de Sainte-Colombe: XLVIII Le raporté Ouverture 2:17
27 Jean de Sainte-Colombe: XLVIII Le raporté La belle. Passacaille du raporté 2:28
28 Jean de Sainte-Colombe: XLVIII Le raporté Chacone raportée 6:12
29 Jean de Sainte-Colombe: LII L'estourdy Ouverture 1:12
30 Jean de Sainte-Colombe: LII L'estourdy Gigue 1re 0:43
31 Jean de Sainte-Colombe: LII L'estourdy Gigue 2e 1:53
32 Jean de Sainte-Colombe: LII L'estourdy Pianelle lente 1:49
33 Jean de Sainte-Colombe: LVIII. Les Roulades Ouverture 2:10
34 Jean de Sainte-Colombe: LVIII. Les Roulades Gigue en bourrasque 1:41
35 Jean de Sainte-Colombe: LIX Le précipité Ouverture 1:41
36 Jean de Sainte-Colombe: LIX Le précipité Gigue 0:32
37 Jean de Sainte-Colombe: LIX Le précipité La boutade 6:09


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https://youtu.be/lG-RxGlaonU

muzycy:
Les Voix humaines:
Susie Napper, viola da gamba
Margaret Little, viola da gamba

Editor's info:
Le Monde de Sainte-Colombe is a compilation drawn from recordings of the complete Concerts a deux violes esgales by the viol duo Les Voix humaines. This selection consists of the 12 Concerts that are most beloved by listeners and most frequently played by the members of the viol duo, Susie Napper and Margaret Little. It is impossible still today to ascertain the composer’s exact identity: Sainte-Colombe never held an official post, and his main body of work, never published in his time, consists of 67 Concerts for two viols. The manuscripts were rediscovered at the end of the 1960s by Paul Hooreman among papers having belonged to Alfred Cortot. This repertoire has also become famous following the publication of Pascal Quignard's novel Tous les matins du monde, which was made into a film by Alain Corneau in 1991.

Les Voix humaines, the viol duo, has thrilled audiences worldwide with dashing performances of early and contemporary music for three decades. Susie Napper and Margaret Little’s musical complicity has been compared to the skill of two trapeze artists or the telepathic communion of a pair of jazz saxophonists!

"In the beginning, our tiny kids played with their dolls while we played our viols, experimenting with fascinating new repertoire, tinkering with Sainte-Colombe and Couperin. As our kids grew, so did our repertoire and our unique style of playing. Still arguing, persuading, negotiating like kids, we continue to develop, finding or creating new repertoire and performing with as much intensity as ever! "

They are renowned for their spectacular arrangements of a wide variety of music for two viols, following in the baroque tradition of "covering" music originally composed for other instruments and adapting it for viols. Knowing that recycling music was a normal practice in the baroque era, they arranged a pile of their favourite baroque repertoire for themselves. As Bach arrange
.......
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