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Nate Wooley
Dave Rempis
Chris Corsano
Pascal Niggenkemper
From Wolves To Whales

jazz/impro
Aerophonic, 2020

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CD:16,14€
Out of stock
availability: about a month ?
cat. no: AR007CD
EAN: 0700261411392
format : CD
number of discs : 1
packaging : digipack


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muzycy:
Dave Rempis – alto/tenor/baritone saxophone
Tashi Dorji - guitar
Tyler Damon – drums

Editor's info:
Purple Dark Opal is the second release by the working trio Kuzu, a band whose deep roots in disparate musical traditions delivers a sound that’s not only new, but totally organic. Saxophonist Dave Rempis is best known for his work in the improvised music scene in Chicago, often exploring areas at the farthest edge of the jazz tradition. Guitarist Tashi Dorji, a native of Bhutan, came up through the active noise scene in his home base of Asheville, NC. The last decade has found him deep in that world nationally and internationally, putting out ear-splittingly in-your-face solo records, regularly opening for Godspeed You Black Emperor on their concert tours in the US and Europe, and touring frequently with duo partners Thom Nguyen, Mette Rasmussen, and Kuzu drummer Tyler Damon. That last pairing was the band that caught Rempis’ ear a few years back, and Damon is clearly the musical link here – someone who works comfortably in the avant-garde jazz scene in Chicago, as well as in the rock and noise world holding the drum chair for Circuit Des Yeux, Thee Open Sex, and in his duo with bassist Darin Gray.

After their first concert outing in the fall of September 2017, the three left the stage exhilarated, and knew immediately that this was a BAND. Immediately planning more work together, they released that concert as an Astral Spirits LP titled Hiljaisuus in August 2018, later released on cd by Aerophonic Records. That fall they did twenty dates on the road in the US, rolling up their sleeves to develop a promising union into a real working unit. The results of that effort are documented here on Purple Dark Opal – recorded live in Milwaukee, WI as concert number fifteen of that extended run.

And what do we find after all that work? Rempis’ penchant for pentatonic melodies and rough and tumble timbres combines seamlessly with Dorji’s thick, raw sound and singular approach to intonation,
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