Liraz, the highly touted Israeli-Persian singer, returns with a buoyant and border-busting new album. Shimmering electro-pop meets pulsing dance rhythms and retro Persian sonics. Includes clandestine collaborations with Iran-based musicians and composers.
Liraz has taken her shimmering electro-pop underground. She’s turned it into something dangerous and even more beautiful than before. For her second album, Zan (“Women” in Farsi), the Israeli-Persian singer collaborated online with composers and musicians from Iran. Everything had to be secretive to avoid the gaze of Tehran’s mullahs and secret police. The result is her private revolution, songs with a true message, music to make people dance and smile – and above all, think.
The songs on Zan are the fulfilment of a dream, taking Liraz deep into the soul of the country that fills her heart and populated the stories her parents told her as a child – but one she’s never seen. They were written for the women in her family and to connect with her own history, quite often the same thing.
“I sing because of these women, to them, for them,” Liraz explains. “My grandmothers were engaged when they were 11 and 12 and married at 15. They both had many children, but they had so much passion for life. I grew up with so many crazy stories about these women. My mother broke down the walls around women. So did my aunt. I watched them since I was a child. They fought for their freedom, and I’m fighting for mine, telling the stories about them in my songs.”
Her family, Iranian Jews, moved to Tel Aviv in the 1970s. Yet although Liraz was raised in Israel, she’s always believed that “my culture is Iranian.” The real revelation came when she moved to the US for three years to work as an actress, appearing in several big-budget movies, including A Late Quartet and Fair Game. In Los Angeles....... more
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