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Alexander von Schlippenbach
Frank Paul Schubert
Martin Blume
Forge

jazz/impro
Relative Pitch Records, 2020

total time: 54:17

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no. title play mp3
1 Merge 47:30
2 Forgin The Work 06:47


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muzycy:
Alexander von Schlippenbach-piano
Frank Paul Schubert-alto saxophone, soprano saxophone
Martin Blume-drums

Editor's info:
On Forges two tracks, Merge and Forgin the Work, Schubert swings from colorful sound sheets, to swaggering melodies, to expressionistic abstractions and offers formidable counterparts to Schlippenbachs vacillations between classical romanticism and cubist amelodicism. Blume, meanwhile, finds his way to unique time-keeping, riding the cymbals and frequently sputtering on the bass drum and snare, but never quite falling into the bebop rhythms with which he so playfully flirts. In doing so, he creates a sense of billowing kineticism in the more energetic movements, and endless rummaging for the perfect clicks and clacks in the more spacious ones. At points, as with the classic trio, the three musicians lines entangle like a complex and irregular Nordic interweave. At others, Schlippenbach, or Schubert, or Blume deviates, and drives his bandmates into realms yet unexplored.
Most exciting about this album is the balance between Schuberts and Blumes tendencies toward jazz melodies and free jazz cacophony and Schlippenbachs constant pull towards blockier constructions more common to the virtuosic classical vanguard. This contrast leads to diverging paths, an expanding and contraction of musical directions, and a truly compelling knotting that stylistic purity or an overwrought singlemindedness would simply not allow. It is, in other words, a group effort, and one which rewards the listener with almost an hour of expert improvisation that creates moments of clangorous exuberance, curious muffled clatter, and even enlightened serenity, when everything about this alloyed trio and this album just makes sense. Nick Ostrum

The trio is comprised of legend and the doyen of improvised music and free jazz: the pianist Alexander von Schlippenbach. The term "accompaniment" is rather unsuitable for the trio: Frank Paul Schubert on alto and soprano saxophone and Martin Blume on drums, act as equal partners. All trio members at ear level are th
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