https://youtu.be/m_YzvHw95oY

muzycy:
Dana Reason-piano
John C. Savage-flute
Catherine Lee-oboe
Roberta Michel-flute
Christa Robinson-oboe
Carlos Corddeio-clarinet
Sara Schoenbeck-bassoon
John Gattis-French horn
Petr Kotik-conductor
Daniel Havel-flute
Malgorzata Hlawsa-flute
Kamila Motkova-oboe
Denisa Bila-oboe
Lukas Danhel-clarinet
Carlos Cordeiro-clarinet
Stefanie Liedtke-bassoon
Jan Soukup-bassoon
Monika Cerovska-horn
Jan Garlathy-horn
Andy Kozar-trumpet
William Lang-trombone
Gergely Lukacs-tuba
Adam Maros-percussion
Miklos Hollo-percussion
Chris Nappi-percussion
Keiko Shichijo-piano
Ivana Dohnalova-harp
Conrad Harris-violin
Pauline Kim Harris-violin
Eszter Krulik-violin
Marco Cano-violin
David Danel-violin
Nikolaus Schlierf-viola
Juraj Madari-viola
Liuh Wen Ting-viola
Andrej Gal-violoncello
Matthias Lorenz-violoncello
Juho Laitinen-violoncello
Frantisek Vyrostko-contrabass
Juraj Bajus-contrabass
Thomas Buckner-baritone voice
James Fei-electronics

Roscoe Mitchell-soprano saxophone, composer

Editor's info:
Distant Radio Transmission was recorded as an improvisation by Roscoe Mitchell, Craig Taborn, and Kikanju Baku in 2013 and released as the third composition on Roscoe Mitchell Conversations 1 (Wide Hive Records WH-0317).
It was then transcribed by Stephen P. Harvey, in 2016, with further Transcription and Orchestration of air sounds for Strings by John Ivers, in 2017. Finally, it was fully Orchestrated by Roscoe Mitchell in 2017 and recorded live at the festival Ostrava Days 2017 in Ostrava in the Czech Republic.
The Nonaah Trio Composed by Roscoe Mitchell
Recorded in Portland Oregon by Ryan Zubieta engineer and Josh Powell editing
Nonaah Trio:
Dana Reason: Piano
John C Savage: Flute
Catherine Lee: Oboe

Author’s Note:
In 2009 I was asked by the American Composers Orchestra if I could present a composition in the summer of 2010 in the Miller Theatre at Columbia University in New York City. It was clear to me that “Nonaah” (five solo works for the alto saxophone completed in 1972) was the composition best suited to the event, and so I chose to develop a version for Chamber Orchestra based off a transcription of the trio for flute, bassoon and piano. Unlike previous adaptations, “Nonaah” for Chamber Orchestra was penned as an entirely through-composed work.

In 2013, when Ilan Volkov invited me to his Tectonics Festival in Glasgow, Scotland I decided to take this piece of music that began as a solo alto saxophone feature in 1971 and infuse it with the grandeur of a full orchestra. February 22, 2014 was the world premiere of my composition.

Cutouts For Woodwind Quintet Composed by Roscoe Mitchell

Roberta Michel: Flute
Christa Robinson: Oboe
Carlos Corddeio: Clarinet
Sara Schoenbeck: Bassoon
John Gattis: French Horn
Recorded by Sascha von Oertzen in New York New York March.......
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