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Julius Hemphill
Blue Boye

jazz/impro
Screwgun, 1999

aver. mark: -    mark it!

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CD:30,12€
Out of stock
availability: about a month ?
cat. no: Screwu70008
EAN: 0630277000825
format : CD
number of discs : 2
packaging : ecopack


no. title play mp3
  CD1:
1 Countryside 10:53
2 Hotend 13:25
3 OK Rubberband 10:03
4 Antecedent 08:48
CD2:
1 Kansas City Line 09:24
2 C.M.E. 12:23
3 Dirty Row 08:28
4 Homeboy Tootin' At The Dog/Star 09:47


  let me know when samples will be available
  tell to your friend

 

muzycy:
Julius Hemphill: Alto and soprano saxophones, flute and percussion. Originally released on Mbari in 1977.

As a friend and student of Julius Hemphill, I was fortunate enough to have been present at the recording of Blue Boyé back in 1977. It was winter, both outside and inside the basement studio (I use the word 'studio' loosely) where this session took place. I remember Julius keeping his overcoat on and recording the tracks in one take, virtually in real time-perhaps in deference to the room temperature, but more likely due to his complete confidence in the results. Due to the absence of the original tapes, the CD was mastered directly from vinyl copies. This process clearly has its occasionally audible limitations but also seems to reflect the atmosphere and conditions under which this album was originally recorded. The sometimes "nostalgic" sound quality will not distract anyone whose primary interest is the music. In my experience with Julius, he never really had much patience with the inner workings of the so-called music industry. His earliest records, including this one, were made for his own Mbari label. My involvement with this project served as my apprenticeship in the independent label business, and certainly had a major impact on my decision to start my own company. Years later, I'm honored to be able to make Blue Boyé available again. There is not much I can add to Julius' poignant liner notes, except that this music offers a rare glimpse into the extraordinary mind of someone who is sorely missed. Tim Berne, Brooklyn NY 1998

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