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Tim Berne
Feign [Hard Cell]

jazz/impro
Screwgun, 2005

aver. mark: -    mark it!

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CD:16,62€
Out of stock
availability: about a month ?
cat. no: Screwu70015
EAN: 0616892666721
format : CD
number of discs : 1
packaging : ecopack


no. title play mp3
1 I Do It (For Brookti) 03:40
2 Time Laugh 09:10
3 Brokelyn 08:15
4 Mechanicals Failure 06:34
5 My First Phone 08:25
6 BG....uh....OH 04:21
7 I Thought You Had It 07:55
8 Pan Ex 02:46


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muzycy:
Tim Berne - Alto saxophone
Craig Taborn: piano
Tom Rainey: drums

Editor's info:
"Features Craig Taborn in his first all-acoustic recording since our collaboration began in 2000, and Tom Rainey with whom I've been working since 1982. It was recorded live to 2-track in the studio and engineered by Hector Castillo. We chose to approach it more as a live recording since the trio had toured the States, Canada and Europe extensively right before the date." - Tim Berne.

The AllMusic review awarded the album 41 stars stating "Feign is a blast of energized modern creative music, free improvisation corralled into appealing structures, and even moments of unexpected lyricism and beauty. It is 100 percent Tim Berne at his best, brought to full realization along with long-term collaborator Rainey and that relatively new kid on the Brooklyn block, Craig Taborn, who demonstrates without a doubt that he has become a full-fledged resident of Berne's musical neighborhood".

Writing in The Guardian, John Fordham called it a "fiercely focused set, in which Berne's bowstring-tight structures frame the music without restricting the improvising".

The All About Jazz review by John Kelman said that "Feign is the perfect introduction to Berne for newcomers. For already committed fans, it's a lighter but equally compelling continuation of his ongoing evolution".

The JazzTimes review by Thomas Conrad said "it is exactly the right sonic companion for certain moods--say, evenings when one recoils from emotional subjectivity and craves unadorned mineral (as opposed to animal or vegetable) truth. Berne configures intricate aural designs with the integrity of constant creative pressure and (despite the high output) few wasted notes".

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