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Toro Y Moi
Mahal

avant-pop/ electronic
Dead Oceans, 2022

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CD:13,77€
Out of stock
availability: about a week ?
cat. no: DOC300CD
EAN: 656605160122
format : CD
number of discs : 1
packaging : digipack
vinyl:25,40€
Out of stock
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cat. no: DOC300LP
EAN: 656605160115
colour : black
format : 12"LP
number of discs : 1
 


no. title play mp3
1 The Medium
2 Goes By So Fast
3 Magazine (Feat. Salami Rose Joe Louis)
4 Postman 05. The Loop
5 Last Year
6 Mississippi
1 Clarity (Feat. Sofie)
2 Foreplay
3 Déjà Vu
4 Way Too Hot
5 Millennium (Feat. The Mattson 2)
6 Days In Love


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https://youtu.be/xI0alDWn2tM
https://youtu.be/otbjpmcoLWk

Toro y Moi's seventh studio album, Mahal, is the boldest and most fascinating journey yet from musical mastermind Chaz Bear. The record spans genre and sound_encompassing the shaggy psychedelic rock of the 1960s and `70s, and the airy sounds of 1990s mod-post-rock_taking listeners on an auditory expedition, as if they're riding in the back of Bear's Filipino jeepney that adorns the album's cover. But Mahal is also an unmistakably Toro y Moi experience, calling back to previous works while charting a new path forward in a way that only Bear can do. Mahal is the latest in an accomplished career for Bear, who's undoubtedly one of the decade's most influential musicians. Since the release of the electronic pop landmark Causers of This in 2009, subsequent records as Toro y Moi have repeatedly shifted the idea of what his sound can be. But there's little in Bear's catalog that will prepare you for the deep-groove excursions on Mahal, his most eclectic record to date. The second the album begins we're immediately transported into the passenger seat, jeep sounds and all, ready for the ride Chaz and company have concocted for us. Seeds of some of Mahal's 13 songs date back to the more explicitly rock-oriented What For? from 2015. Mahal was mostly completed last year in Bear's Oakland studio with the involvement of a host of collaborators, Sofie Royer and Unknown Mortal Orchestra's Ruban Neilson to Neon Indian's Alan Palomo and the Mattson 2. "I wanted to make a record that featured more musicians on it than any other record of mine," he explains. "To have them live on that record feels grounded, bringing a communal perspective to the table." As a result, Mahal is lush and surprising at every turn, from the cool-handed "The Loop," which recalls Sly and the Family Stones, to the elastic psych rock of "Foreplay" and the dizzying Mulatu Astatke-recalling of "Last Year." Lyrically, the album zooms in on generational concerns, picking up where the Outer Peace standout "Freelance" .......
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