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Berlin composer Maya Shenfeld’s music is as powerfully evocative as it is strikingly intimate. Through a mastery of sound sculpting and visionary approach to composition Shenfeld has established herself as one of the most vital voices in Berlin’s New Music scene. Her work exists in liminal spaces, collapsing the boundaries between electronic synthesis and organic sound as it draws equally from classical tradition and underground experimentalism. Each aspect of her output, from site-specific sound installations to works for new music ensembles and even playing guitar in punk bands, combines an astute technical prowess with an authentic, tangible expression of soul. Shenfeld’s debut solo record In Free Fall merges the grand vision of orchestral music with the granularity and intimacy of deep listening, exploring a tension between immaculately structured compositional architecture and the sheer joy of noise, grain and feedback.

In Free Fall, named after Hito Steyerl’s essay, captures Shenfeld’s own feelings of “free fall” both with regards to the current moment, and to her growth as a composer. Originally trained as a classical guitarist, Shenfeld’s relocation to Berlin to study composition sparked a drastic expansion of her horizons and practice. Diving headfirst into the city’s punk and experimental music scenes, the composer found herself shuttling, literally and figuratively, between disparate musical worlds; from the grand Konzerthaus Berlin to hole-in-the-wall Indie venues. She elaborates: “playing in a punk band, writing together, jamming, opened something in me, allowed me to rediscover the joy and spontaneity in the process of music making. I feel like the band amplified my artistic “voice”, which the hierarchical (and patriarchal) classical music institutional environment had obscured. Through this experience I started engaging with classical music differently, bringing to .......
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